Monthly Archives: July 2009

DC vs. Marvel Kids

Casper and Fox

Casper and Fox

This is the eighth post in this series. DC versus Marvel superhero posts have been done to death on the internet and I wanted to do something different. This series looks at what happens when you pit the non superheroes of these two companies. This series also gives me an excuse to revisit some of the obscure comic book characters of my past. The dominance of the superhero genre in American comic books has meant that characters of other comic book genres have been ignored for decades and this series to some extent is an attempt to rectify this unfortunate state of affairs.

The first post looked at Westerns and Western heroes. https://foxhugh.wordpress.com/2009/02/13/dc-vs-marvel-western-heroes/

The second post looked at war comics and war heroes. https://foxhugh.wordpress.com/2009/03/21/dc-vs-marvel-war-heroes/

The third post looked at women’s comics and working women. https://foxhugh.wordpress.com/2009/04/11/dc-vs-marvel-working-women

The fourth post looked at space operas and spacemen https://foxhugh.wordpress.com/2009/04/20/dc-vs-marvel-spacemen/

The fifth post analyzed funny animals.
https://foxhugh.wordpress.com/2009/06/10/dc-vs-marvel-funny-animals/

The sixth post looked at the teenagers of teenage humor comic books. https://foxhugh.wordpress.com/2009/07/15/dc-vs-marvel-teenagers/

The seventh post looked at horror comics and horror hosts. https://foxhugh.wordpress.com/2009/07/27/dc-vs-marvel-horror-hosts/

I am inventing a comic book genre name for this series. Women’s comics are defined as comic books that appeal to women. I would like to propose there is a genre of comic books that appeals to very young children as opposed to children in general and I would like to name this genre kids comic’s. The ultimate example of this genre would be the children’s Harvey Comics line that included such characters as Baby Huey, Casper, Hot Stuff, Little Audrey, Little Dot, Little Lotta, Spooky, Richie Rich and Wendy the Good Little Witch. Harvey Comics also published comics with superheroes but is best remembered for its kid’s comics. I see similarities between Harvey Comics and Archie Comics.

Faced with hopeless competition with DC and Marvel in the superhero arena, these two comic book companies found success in non superhero genres, an example of niche marketing in the comic book marketplace. Archie Comics has dominated teenage humor for decades, right up until the present and squashed attempts by DC and Marvel to make titles that compete in this genre. Harvey Comics was also able to survive in a similar manner with kids comic books. Interestingly, both Archie Comics and Harvey Comics tried superheroes but eventually gave up these titles probably because of competition from DC and Marvel. Both Archie Comics and Harvey Comics had to learn hard lessons about their core business which turned out to be genres other than the superhero one.

There is tremendous overlap between the funny animal genre, dealt with in the post about funny animals (https://foxhugh.wordpress.com/2009/06/10/dc-vs-marvel-funny-animals/) and kid’s comics and many comics fit both genres. Still, characters such as Casper are obviously not funny animals. I would propose that funny animals are a subgenre of kid’s comics logically but the funny animal subgenre is so big it must be treated as a genre. In a similar manner, logically superheroes are a subgenre of science fiction but are such a dominant subgenre in terms of the comic book marketplace that superheroes are best dealt with as a separate genre. This post will only deal with kid comics that are not funny animals.

This genre is characterized by a simplified cartoon style, very G rated material, even by comic code approved standards, and very simple plots. The defining characteristic is that the comic book is aimed at a very young readership. I would say the comic books should be able to appeal to preschoolers and they should be able to handle the material without the aid of an adult. Older readers may like the simplicity of the comic books in the same way that even adults can appreciate a children’s book but the reverse is not true. A relatively G-rated comic book like Superman, especially a more recent Superman comic book, will not be appreciated by preschoolers unless their literacy is especially high.

DC kids include the Brat Finks, Stanley and his Monster, as well as, Sugar and Spike. Stanley and his Monster replaced the Fox and Crow in issue #109 but the retitled comic book only lasted until issue #112. Stanley is a six year old with a lisp that mistakes a monster for a dog and lets him secretly live with him. The monster is covered with pink hair, has enormous fangs and is gigantic, maybe nine feet? The parents never catch onto the existence of the monster. In the innocent comic book logic of that era, hiding a nine foot monster in a typical suburban house is considered totally possible. The comic book was printed in the sixties. In the nineties, DC decided to add some back story to the series and include Stanley and his Monster in some DC crossovers. I still prefer the more innocent less sophisticated Stanley and his Monster of the sixties.

Sugar and Spike was created by comic book legend Sheldon Mayer and is one of the best comic books lines ever! Somehow DC forgot to reprint this comic book in their current reprint Showcase series. This is extremely unfortunate and I urge DC to add Sugar and Spike to the Showcase reprint line. Sugar and Spike are two preschoolers that talk to each other in baby talk that adults can’t understand.

Sugar and Spike are constantly trying to figure out adult logic and the adult world and come up with outlandish explanations that nevertheless are totally logical. Mayer was able to capture kid’s logic in a way few cartoonists ever have. The closest any cartoonist has ever come is Calvin and Hobbes but I actually think Mayer does a better job and he is dealing with much younger children that are harder for adults to understand. Sugar is a blonde haired kid. Spike is a red haired kid. Other characters came and went in the strip such as Little Arthur, Uncle Charley and Bernie the Brain and even the secondary characters of this great strip were better than the primary characters of most cartoons. The strip lasted 98 issues, from the seventies into the nineties, and I am sure would have gone on even longer except for his death in 1992.

Marvel Kids, pre-Star imprint, is a much shorter list and I want to mention Homer the Happy Ghost who was brought to my attention by a reader of this post (see comments).  Homer the Happy Ghost was an obvious imitation of Casper that lasted 22 issues, between March, 1955- November 1958, which for a none superheroe is not bad!  Supporting characters included Melvin the Mixed-Up Ghost, Invisible Irwin, Dugan the Dead End Ghost, and Zelda the Zany Witch.  Homer was reprinted for five issues between from November 1969 to May 1970 and I vaguely remember seeing this version of the title.  Anway, thanks for the info Mark!

Marvel Kids include all the characters of their Star imprint that lasted from 1984-88. The characters of the Star imprint included Air Raiders, ALF, Animax, Bullwinkle and Rocky, Care Bears, Chuck Norris and his Karate Kommandos, Defenders of the Earth, The Flinstone Kids, Foofur, Fraggle Rock, The Get-Along Gang, Heathcliff, Heathcliffs Funhouse, Hugga Bunch, Inhumanoids, Madballs, Masters of the Universe, Masters of the Universe Motion Picture, Misty, Muppet Babies, The Muppets take Manhattan, Peter Porker The Spectacular Spider Ham, Planet Terry, Popples, Royal Roy, Silverhawks, Star Wars Digest, Star Wars Droids, Star Wars Ewoks, Strawberry Shortcake, ThunderCats, Top Dog, and Wally the Wizard. Marvel did publish a couple of Casper comic books in 1997.

Most of the Star comic books are not Marvel properties and will not be looked at given the topic of this post. Spider Ham, Planet Terry, Royal Roy, Top Dog and Wally the Wizard are the only true Marvel properties of the Star comic’s line. Spider Ham was already dealt with in the funny animals post so we are down to Planet Terry, Royal Roy, Top Dog and Wally the Wizard.

Planet Terry, Royal Roy and Top Dog were all written by Lennie Herman. Planet Terry was a space saga. Planet Terry was looking for his parents in space with his sidekicks a robot named Robota and a green-scaled muscular alien named Omnus. I swear that Planet Terry’s facial features are very similar to those of Casper. He flew around in a jet pack and many of his flying poses seem directly lifted from Casper comic books. Top Dog is a talking dog and therefore a funny animal and the subject of another post. Royal Roy is Marvels version of Richie Rich of Harvey Comics. Prince Roy lives in Cashelot (Camelot plus Cash) and only
lasted six issues. Wally the Wizard was an apprentice wizard to Marlin the Wizard, Merlin the Wizards older brother.  Wally the Wizard was created by Bob Bolling who had also created Little Archie.

Sugar and Spike team up with Stanley and his monster for a day at the sandbox and run into these two weird kids in weird costumes. One is dressed like a prince, one is dressed like a spaceman and one is dressed like a wizard. Sugar and Spike know all about Halloween and love that day and know darn well this day isn’t that day. They start laughing at the costumed kids and soon a fight ensues. Stanley’s Monster sits on the Marvel kids until they agree to behave. DC wins this round.

My other website at:

Fox Superpower List

Other DC vs. Marvel Posts

Big Monsters

Fourth Wall Heroes

Funny Animals

Horror Hosts

Kids

Robots

Sidekicks

Spacemen

Superpets

Teenagers

Transportation

War Heroes

Weapons

Western Heroes

Women in Refrigerators

Working Women

WereVerse Universe Baby!

My Android Girlfriend

My Android Girlfriend

Hugh Fox & Android Girlfriend

1914 was my girlfriend in Japan last year. 1914 is an android. She was born/created in Nagoya, Japan by the Toyota Android Corporation or TAC for short. She mostly does construction work in Nagoya. She can lift approximately three tons. She is approximately twice my height and I feel rather small when standing next to her. TAC felt a female android would be less threatening to construction crews that are largely male. Despite her formidable appearance, she is very nice and quite feminine. Some people question if a relationship between a human and an android, much less a construction android, is a good idea. Many pubs and restaurants in Nagoya refuse to serve androids and I would say Nagoya is more liberal in this area, because of the robotics industry, than other parts of Japan.  Androids are of course still illegal in the US so dating an android in the US openly is impossible.

My Android Girlfriend’s Sister

Japan’s New Superdroid

WereVerse Universe Baby!

DC vs. Marvel Horror Hosts

House of Mystery #1

This is the seventh post in this series. The series pits non superhero genre characters from DC and Marvel against each other. The first post looked at Westerns and Western heroes (https://foxhugh.wordpress.com/2009/02/13/dc-vs-marvel-western-heroes/), the second post looked at war comics and war heroes (https://foxhugh.wordpress.com/2009/03/21/dc-vs-marvel-war-heroes/), the third post looked at women’s comics and working women (https://foxhugh.wordpress.com/2009/04/11/dc-vs-marvel-working-women) and the fourth post looked at space operas and spacemen (https://foxhugh.wordpress.com/2009/04/20/dc-vs-marvel-spacemen/). The fifth post analyzed funny animals (https://foxhugh.wordpress.com/2009/06/10/dc-vs-marvel-funny-animals/). The sixth post looked at the teenagers of teenage humor comic books (https://foxhugh.wordpress.com/2009/07/15/dc-vs-marvel-teenagers/). The eighth and next post will look at kid’s comic books.

This post looks at the horror genre. I had problems separating the horror genre from the superhero genre. This would not have been a problem when I was reading comic books in the sixties and seventies when I was younger. However, since at least the eighties, DC and Marvel heroes that belong to the horror genre have been incorporated into their mainstream comic book universes to the point that they are often just another type of superhero.

For example, Blade, who fights vampires, has done so many crossovers with mainstream Marvel characters that he is no longer a hero of the horror genre but a hero with horror roots who inhabits the Marvel superhero universe. The mystery that is essential in horror is lost when the characters of horror are overused in a flashy superhero universe that in many ways is the antithesis of horror. Superheroes wear bright colors and fly off into the sunset versus inhabiting a world beneath the moon, moss and worms. When you juxtapose a creature of horror with a superhero the creature of horror is lessened. The suspension of disbelief is just too much. I can temporarily believe in a world of horror. I can temporarily believe in a world of superheroes. I can only believe in a world with both superheroes and horror with difficulty.
The entire Vertigo line, a DC imprint, can be seen as an excellent attempt to bring the sense of horror back to DC by creating boundaries between creatures of horror and superheroes for the purposes of better story telling. So who represents pure horror in the DC and Marvel universes? I would argue the horror hosts do! Most horror comic books are anthologies with one-shot characters that often die a horrible death at the end and are never seen again. You have the same problem with romance comics. Both genre focus on single shot stories and finding ongoing characters in both genres is hard do. So what sort of character survives in a horror comic book? The host of the stories is who!
A horror host is the host of a horror comic book anthology. The most famous horror host does not belong to either the DC or Marvel line but to EC Comics. The host for the EC comic book Tales of the Crypt was the Crypt Keeper and perhaps the only horror host to make the transition to TV where the same character hosted the very popular and long running TV show of the same name and also two movies and even a Saturday morning cartoon named Secrets of the Cryptkeepers Haunted House. The Crypt Keeper was one of the GhouLunatics and that included fellow EC horror hosts the Vault Keeper and the Old Witch.

The DC horror hosts include Abel, Cain, Charity, Destiny, Eve, Mad Mod Witch, Madame Xanadu, and Macbeth’s witches (Mordred, Mildred and Cynthia). Abel was the host of the House of Secrets. Cain was the host of the House of Mystery. They are the Cain and Abel of Biblical fame and an ongoing gag is that Cain kills Abel over and over again whenever there is a crossover between the two brothers. The two houses sit next to each other so a little neighborly interaction is only to be expected. Charity was the host of Forbidden Tales of the Dark Mansion and probably wins the title of most obscure and forgotten DC horror host. Destiny hosted Weird Mystery Tales. Eve hosted Secrets of Sinister House from issues # 6-16. Eve later generally replaced Destiny as the host of Weird Mystery Tales. Abel and Cain are officially cousins of Eve. The Mad Mod Witch was the, on again of again, host of Unexpected from issue #108 onwards and with the alias Fashion Thing was rebooted by Neil Gaiman in the Sandman. Madame Xanadu was the host of Doorway to Mystery. Madame Xanadu returned in the first direct sales only comic book in Madame Xanadu. The series is a one-shot. The witches Mordred, Mildred and Cynthia hosted the Witching Hour. Lucian was the host of the short lived Tales of Ghost Castle.  Neil Gaiman made use of all the DC horror hosts, except Charity, in his Sandman series. Heck, even Lucian, perhaps the most obscure of the horror hosts became a librarian of the Sandman.  All the horror hosts have gone onto new fame and prominence in the Vertigo line that probably exceeds the fame and prominence they had during their original title runs in the sixties and seventies.

In the Sandman title, Destiny and is one of the Endless who in turn are mightier than gods. Destiny has been able to resist the influence of Zeus. Zeus is in turn much mightier than for example Superman. Zeus can create a female version of Superman, Wonder Woman. Destiny is one of the most powerful characters in the DC universe but is also considered the most boring story teller by Abel, Cain and Eve.

Despite a slew of horror tiles by Marvel/Atlas including Beware, Chamber of Chills, Chamber of Darkness. Creatures on the Loose, Crypt of Shadows, Dead of Night, Fear, Giant Size Chillers, Journey into Mystery (2nd series), Tomb of Darkness, Tower of Shadows, Uncanny Tales (2nd series), Vault of Evil, Weird Wonder Tales, Where Creatures Roam and Where Monsters Dwell only one of these titles had a horror host! Digger and Headstone P. Gravely hosted Tower of Shadows that was designed to go head on against DCs House of Mystery and House of Secrets. I do remember Tower of Shadows and I even remember the story of the first issue and I was like 14 years old at the time! I don’t remember the horror hosts at all. Two unknown hosts versus an interconnected family of DC hosts that are major part of the current DC/Vertigo universe? This contest doesn’t seem fair at all and I am going to change the rules! I am going to bring in a Marvels number one comic book host! The Watcher!

The Watcher acted as a host to futuristic stories in Tales of Suspense starting in issue #39 in the sixties. The Watcher acted as second story to the main Iron Man story. The stories were titled Tales of the Watcher. I actually often preferred the Watcher stories to the Iron Man stories and am totally aghast that Marvel has not made an Essential version of Tales of the Watcher. I mean Werewolf by Night and Spiderwoman get an Essential volume but not those great stories by the Watcher? The tradition was carried on in the first volume of the Silver Surfer. Later still the Watcher became the host of What If stories that were 100% superhero stories but the original Tales of the Watcher were mainstream science fiction complete with a Twilight Zone sort of lesson about the universe and/or humanity told by the Watcher at the end.

Despite their genre difference the Watcher and Destiny actually have an awful lot in common. The Watcher is a cosmic entity. Destiny is a cosmic entity. Destiny is a lot more powerful but like the Watcher mostly tells stories, and despite being blind, “observes” and doesn’t really do much. The Watcher is bald and for all we know Destiny might be bald as well. Destiny always wears a cowl and this is probably to hide his baldness. I would see Destiny as being somewhere in the power class of the Living Tribunal over at Marvel. Destiny and the Living Tribunal both wear cowls by the way. The Watcher is at least two hierarchical levels below the Living Tribunal.

The Living Tribunal is even more powerful than Eternity or Death that only represent the totality of one universe. Both Destiny and the Living Tribunal are multiverse type beings that more or less bring balance to the multiverse. There isn’t a different Destiny or Living Tribunal in each universe but one for the whole dang multiverse. A being that performs a balancing multiverse function has to be more powerful than any being limited to one universe no matter how powerful they are in that one universe. Destiny could squash the Watcher but this won’t happen.
Destiny and the Watcher are hyper rational, Mr. Spock is emotional compared to those two, and I do mean the old Mr. Spock, not that new guy French kissing Uhura, and would never engage in aggressive behavior except in self defense and neither would attack the other first since that would be illogical, uncivilized and just bad manners. Destiny and the Watcher both exchange the very best stories from their mutual universes and agree I am not a very good story teller and perhaps should find another hobby. This “DC versus Marvel” story ends in a draw.

My other website at:

Fox Superpower List

Other DC vs. Marvel Posts

Big Monsters

Fourth Wall Heroes

Funny Animals

Horror Hosts

Kids

Robots

Sidekicks

Spacemen

Superpets

Teenagers

Transportation

War Heroes

Weapons

Western Heroes

Women in Refrigerators

Working Women

WereVerse Universe Baby!

DC vs. Marvel Teenagers

Archie proposes to Veronica!

Archie has finally proposed to Veronica and in honor of this event I have written the following post about teenage humor comic books.

This is the sixth post in a series that pits non superhero genre heroes from the DC and Marvel universes against each other.  The first post looked at Westerns and Western heroes (https://foxhugh.wordpress.com/2009/02/13/dc-vs-marvel-western-heroes/ ), the second post looked at war comics and war heroes (https://foxhugh.wordpress.com/2009/03/21/dc-vs-marvel-war-heroes/ ), the third post looked at women’s comics and working women (https://foxhugh.wordpress.com/2009/04/11/dc-vs-marvel-working-women ) and the fourth post looked at space operas and spacemen (https://foxhugh.wordpress.com/2009/04/20/dc-vs-marvel-spacemen/ ).  The fifth post analyzed funny animals (https://foxhugh.wordpress.com/2009/06/10/dc-vs-marvel-funny-animals/ )

The genre of this post is teenage humor and the heroes are the teenagers of this non superhero genre.  The ultimate comic book archetype of this genre would be Archie published by MLJ/Archie Comics.  The enduring success of Archie has created many imitators over the years. Archie was so successful that characters in his universe became spin off titles.  Some of the Archie characters that had their own titles include Jughead, Betty, Veronica, Reggie and even less well known characters such as Principal Weatherby, Dilton Doily, and Big Ethel.   Interestingly, Archie went through a superhero phase.  The Archie superhero stories were written as parodies of regular superheroes.  Archie was Pureheart the Powerful.  Jughead was Captain Hero.

The DC teenagers include Scribbly, Buzzy, Binky, Scooter and Debbie.  Scribbly the boy cartoonist was invented by comic book giant Sheldon Mayer for Dell Comics in 1936.  Scribbly moved to the back pages of DCs All American Comics in 1939.  The last appearance of Scribbly in that title was in 1944.  When Archie became popular, Scribbly returned in his own series for 15 issues between 1948 and 1952.  Binky then appeared in the back pages of DC’s other two teen humor titles, Buzzy and Leave it to Binky.

Buzzy was a hipster, unlike Archie, and one of the few none Archie clones in this genre.  Buzzy was part of a five-piece combo.  Buzzy graduated from the All Funny Comics anthology to his own title that ran from 1944 to 1958.  Buzzy became more and more an Archie clone during the run of the title.

Binky started in his own title, Leave it to Binky, immediately in 1948 in response to the success of Archie.  Binky was a teenager in high school and his title lasted until 1958.  Binky won the Shazam Award for best inker in 1970 and this is not a genre known for winning awards.

Scooter was the main character in the title Swing with Scooter that was launched in 1966 almost ten years after the demise of Buzzy and Binky. Scooter was named after his scooter that he used for transportation and was a British mod.  A mod can be considered a type of sixties British hippie.  Scooter was transplanted to Laurel City, USA.  Scooter was lucky enough to be born in an era when crossovers became more common and he met the likes of Batman and Superman.  There will be no such teen humor/superhero crossover until Archie meets the Punisher published in 1994.

Scooter is probably the only DC character of the teen humor genre that I remember.  I was born in 1957 and missed all the other DC teens due to my age but vaguely remember running into Scooter in the newsstands.  My own parents were into the whole hippie, mod, whatever thing in the sixties, and because of this, I found the character a little interesting but even as a youth was smart enough to realize this comic book was being written by people who had no idea what was going on in the sixties counter culture.  The writers were middle aged, the slang was more lame than hip.  When a 12 year old can figure this out about your dialogue then your title is in trouble.  I had been an on and off, tepid fan, of Archie since I was eight years old until I was about 14, so the problem wasn’t that I didn’t like the genre.  The problem wasn’t I didn’t like Scooter.  Scooter lasted 36 issues and for a non superhero genre that is pretty good so maybe the slang worked on other less worldly teens.

Debbi starred in Date with Debbi that ran 18 issues from1969 to 1972.  Debbi was a red head.  Debbi looked like a female version of Archie, right down to the chubby cheeks and this is not a good thing!  I am surprised the series lasted as long as it did.

I have mentioned in other posts, in this series, how the DC imprint Vertigo has consistently rebooted non superhero material from DC’s obscure comic book past.  I challenge Vertigo to do a miniseries about DC’s long lost teens.  How about a look at the teens twenty years later?  The DC teens are all working as office workers at a paper company, no, the paper company has already been done, maybe a computer support company.  They go to a bar and reminiscence about their lost youth and decide to do something crazy as a group.  Look up their lost loves?  This would give an excuse to see all their supporting casts.  Go to Thailand?  Maybe they do something even crazier.  Maybe they take acid together in Amsterdam that was accidentally mixed with alien DNA and they merge into Super Hip.  Maybe a road trip where they see their lost loves, go to Thailand and then go to Amsterdam.

Super Hip briefly appeared in the Adventures of Bob Hope DC comic book and basically could alter reality as this super power is referred to nowadays.  Mostly Super Hip displayed Superman type powers.  Super Hip’s alter ego, Tad, went to Benedict Arnold High School.  Super Hip is one of those totally obscure DC characters that didn’t even rate a mention in Who’s Who in the DC Universe.  Super Hip was drawn in a cartoony style that was reminiscent of teen humor characters.  I think Super Hip was some sort of misguided attempt to combine a super hero with a teen humor character.

The Marvel teenagers include Millie the Model, Chili and Patsy Walker. Patsy Walker was popular from the 1940s until 1967 and even supported several spin off titles.  Patsy Walker was a red head and her romantic rival was black haired Hedy Wolfe.  Betty and Veronica, of Archie Comics, of course are blonde and black haired respectively and minus super hero costumes perhaps hair color is needed to differentiate comic book characters in situations where a lack of a consistent house style can confuse young readers.  In 1973, Marvel brought back the name but totally rewrote the character, and made Patsy Walker the alter Ego of the super heroine known as Hellcat.  This is similar to what Marvel did with Night Nurse, a romance genre heroine that was remade into the nurse of super heroes.

There is some overlap between romance comics and teenage humor comics.  For example, Millie the Model went back and forth from being a romance comic to a teen humor comic.  The art on the cover lets the reader know which version of Millie they are dealing with immediately.  The romance comic version of Millie the Model issues were drawn in a more realistic fashion.  The teen humor version is in a cartoony style that imitated the Archie Comics house style.

Chili was the red headed rival of Millie and in her own series was consistently a teen humor title.  The clothes that Millie and Chili wore are a big part of both series.  Both titles featured paper dolls and outfits in the comic book.  Many of the Millie comics, the romance version, showed off very glamorous fifties type outfits.  Many covers of Millie had her sporting evening gowns and furs.  Not exactly something you would wear to the mall.  I think Marilyn Monroe might have been the inspiration for these covers.  Chili,in her own series, on the other hand, consistently wore very mod clothes with bright colors and even pant suits and wore stylish clothes you might actually see in the mall in the late sixties and seventies.

Despite the difference in art styles between the teen humor and romance genres, there are many similarities in plot lines.  Both genres highlight male/female relationships in general and love triangles in particular, but the story line of a romance comic leads to love or a broken heart while the story line of a teenage humor comic leads to a punch line.

Another interesting difference between the plot lines is that teenage humor generally portrays a young man such as Archie being pursued by two gals such as Betty and Veronica.  In romance comics, a woman is pursued by two men.  One of the men would be the wild one and one the stable one.  In teenage humor the main difference between the two gals would be the color of their hair.  Although upon further examination Betty represents the nice girl next door while Veronica is more of a vamp but the main difference between them is definitely their hair color.  A Mad Magazine parody of Archie named Starchie highlights this lack of difference between Betty and Veronica.  Starchie tells that parody version of Jughead that Betty and Veronica are drawn totally differently despite the fact they have had identical poses and are drawn exactly alike, except for their hair, throughout the parody.

 starchie1

Teens in this genre do not fight but instead compete romantically and generally win or lose via practical jokes.  The three Marvel female teens, Millie the Model, Patsy Walker and Chili go out on a group date with the DC teens, Scribbly, Buzzy, Binky, Scooter and Debbi.  There are four women and four men so someone is going to go home alone.  Millie the Model is a model!  In teen humor comics looks are everything so all the guys go after Millie, leaving Patsy and Debbie to sulk in the soda shop and reflect how unfair life is.

Patsy, Debbi and Chili decide to play a trick on the guys.  After all fellow red heads have to stick together when dealing with gorgeous blondes!  Patsy and Debbie slip some pepper and salt into the sodas of the guys while the boys all stare at Chili and Millie walking to the restroom together.  Chili is deliberately doing her sexiest walk, in her tight, oh so sixties, short, short little dress.  Did I mention that I have very fond memories of sixties styles?  The boys all choke on their foul tasting sodas and Patsy, Debbie and Chili laugh their heads off.  The boys agree this is a very funny joke and that they deserved their treatment because of how they ignored the red heads.  Scooter is a mod, with a sixties, as opposed to fifties view of sexuality and has actually been with a woman. Scooter starts to reflect that Chili is pretty mod and that the competition for Millie is just too intense.  Later Scooter and Chili will marry and then divorce.  The Marvel red heads hurt the DC men, even if they had help from a DC gal, so Marvel wins!

My other website at:

Fox Superpower List

Other DC vs. Marvel Posts

Big Monsters

Fourth Wall Heroes

Funny Animals

Horror Hosts

Kids

Robots

Sidekicks

Spacemen

Superpets

Teenagers

Transportation

War Heroes

Weapons

Western Heroes

Women in Refrigerators

Working Women

WereVerse Universe Baby!

The Eye of Providence/Broken Souls

Eye of Providence Broken Souls

Eye of Providence Broken Souls

Souls are strong but they can break.

When broken they wander between the two worlds.

They are more to be pitied than feared.

The Eye has the power to heal all including broken souls.

More of my artwork at:

https://foxhugh.wordpress.com/artwork/

WereVerse Universe Baby!

The Eye of Providence in the Garden

Eye of Providence Flowers

Eye of Providence Flowers

The man and the woman would often smell the flowers of the garden. The smell was intoxicating.

After the apples, they gazed at the flowers and flowers gazed back.

The gaze of the flowers was unbearable. The couple fled the garden in shame.

More of my artwork at:

https://foxhugh.wordpress.com/artwork/

WereVerse Universe Baby!

The Eye of Providence/Measure

Eye of Providence Measure

Eye of Providence Measure

Some say measure came before the eye
Some say the eye came before measure
Some say the eye is measure
The triangle measure of the hard
The eye measure of the soft

More of my artwork at:

https://foxhugh.wordpress.com/artwork/

WereVerse Universe Baby!

 

The Eye of Providence in the Land of Sleep

Eye of Providence Sleep

Eye of Providence Sleep

The small daily death is a door to a world
Some of this world is us but some of this world is not us
The eye sits between the two worlds of the small death guarding the gate

More of my artwork at:

https://foxhugh.wordpress.com/artwork/

WereVerse Universe Baby!