Tag Archives: Batman

60+ Comic Book Catch Phrases

60+ Comic Book Catch Phrases Table

Aquaman – Great Neptune

Banshee – Saints preserve us

Batman – Criminals are a cowardly, superstitious lot.

Batman – To the Bat-pole Robin

Beast – Oh my stars and garters

Captain America – Avengers Assemble

Captain Marvel – Shazam

Colossus – Bozhe Moi

Colossus – By the White Wolf

Colossus – Lenin’s Ghost

Conan – By Crom

Deadpool – Ready to die

Doctor Horrible – I have a PhD in Horribleness

Dr. Strange – By the Hoary hosts of Hoggoth

GI Joe – Go Joes

Green Lantern – In brightest day in blackest night, no evil shall escape my sight Let those who worship evils might beware my power–Green Lantern’s light

Hulk – Don’t make me angry… You wouldn’t like me when I’m angry

Hulk – Hulk Smash

Human Torch – Flame On

Judge Dredd –I am the law

Juggernaut – I’m Unstoppable

Lilandra – Sharra and Kythri have mercy

Lobo – Bite me fanboy

Lone Ranger – Hi-Yo Silver…away

Luke Cage – Sweet Christmas

Mighty Mouse – Here I come to Save the Day

Mr. Terrific – Fair Play

Nightcrawler – Mein Gott

Robin – Holy _____, Batman

Spider-Man – It’s your Friendly Neighborhood Spider-Man

Spider-Man – My Spider-Sense is tingling.

Spider-Man – With great power comes great responsibility

Stan Lee – Excelsior

Storm – By the goddess

Sub Mariner – Imperius Rex

Superman – Great Krypton

Superman – Great Rao

Superman – Look, up in the sky, it’s a bird, it’s a plane, it’s Superman

Superman – Truth, Justice and the American Way

Superman – Up, up, and away

Superman (Perry White) – Great Caesar’s ghost

Teen Titans – Teen Titans, Go

Teen Titans – Titans Together

Teenage Mutant Ninja Turtles – Cowabunga

The Joker – Why so serious?

The Riddler – Riddle me this

The Shadow – Who knows what evil lurks in the hearts of men? The Shadow knows

The Thing – Aunt Petunia’s favorite nephew

The Tick – Spoon

The Tick (Arthur) – Not the face not the face

Thing – It’s Clobbering Time

Thing – What a revoltin development this is

Thor – Odin’s beard

Underdog – When Polly’s in trouble, I am not slow. It’s hip hip hip, and away I go

Venom – I’ll eat your brains

Wolverine – I’m the best there is at what I do

Wonder Twins – Wonder Twin Powers Activate

Wonder Woman – Great Hera

Wonder Woman – Suffering Sappho

Wonder Woman – Thunderbolts of Jove

Yukio – Gotcha

Zod – Kneel before Zod

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Orange Werefox versus Justice League

Orange Werefox versus the Justice League Resized

The Orange Werefox reveals his sinister plan to take down the Justice League!

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Hugh Fox III - Alien Glow (2)

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Made in America Samurai

Made in America Samurai Table Resized

Samurai films are all made in Japan, right? Wrong!  Americans have made samurai films as well!  When I was very young I wanted to be Batman when I grew up.  As I grew older, I realized this career choice was silly.  In later years, I wanted to be a samurai.  I lived in an all white middle class suburb and there weren’t a lot of samurai sensi wandering about.  Sure I had studied judo but I knew I needed more skills than that to be a samurai.  Films about samurai filled the gap.  In pre-cable, pre-DVD, pre-internet, pre-everything days, Japanese samurai movies were hard to find and even an American made samurai film was better than nothing.  I never did become a samurai but I did end up moving to Asia and even lived in Japan for a while:

http://atomic-temporary-3328128.wpcomstaging.com/about-me/countries-visited/

I was reminiscing and surfing the internet I was amazed to find out there was very little on this topic on the internet. The brave, cross-cultural and pioneering American made samurais deserve better!  I write this post to honor their memory!

This article will try to compare made in America samurai with their Japanese counterparts in two areas. First, I am going to focus on the sword fighting scenes since this is a critical aspect of what makes a samurai film a samurai film. If I watch a samurai film then I want great sword scenes as part of the package.  I have dabbled with kendo and kenjutsu.  I did attend some Society for Creative Anachronism sword fighting classes at Michigan State University a hundred years ago. I am aware that cinema sword fighting is about entertainment not authenticity in general.  However, I think part of the entertainment value of samurai sword fighting, as opposed to a kung fu phooey film, or a Hollywood CGI epic, is some attempt to make the viewer have the illusion that they are seeing a real samurai fight or at least this was the case in the older samurai films.

Secondly, a code is what makes a samurai a samurai. Bushido is the code that samurai’s live or rebel against in the case of rōnin.  Without bushido then a samurai is just a guy waving a sword.  Because of bushido, there is a tension between ninjō (compassion) and giri (duty) in most Japanese samurai film and I wonder if made in America samurais have a similar dynamic.Swords provide the external drama of a samurai film.  Bushido provides the internal drama of a samurai film. If the film has samurai in the title but absolutely no samurai elements then I would argue it’s not a samurai film.  For this reason, a film like Samurai Cowboy with no samurai elements is not on the list and also the film is Canadian.  Overall this article will attempt to answer the question, how much impact have  Japanese samurai film conventions had on made in America samurai films?

47 Ronin (2013)

American Samurai 1 - 47 Ronin (2013)

A recent movie that has nothing to do with my teenage memories but perhaps will be a bad memory for future generations. This movie is a confusing mélange of fantasy that almost has nothing to do with the original 47 Ronin story.  The original 47 Ronin is a story about giri not a CGI exercise like this Hollywood version.  Keanu seems to be stuck in this one acting mode these days.  Internal conflict expressed as intense confusion would be the term I would use.  Keanu Reeves is playing Neo with a sword not a samurai!  However, there are giri elements in the movie just poorly expressed and take a back seat to the CGI.  The sword scenes are pure CGI and this was interesting once upon a time but no longer.

American Samurai

American Samurai 2 - American Samurai

This is a low budget film that marks the acting debut of Mark Dacascos. As bad as this film is one cannot say it’s the worst American made samurai film to the heavy competition for this title.The film has mediocre action.  There isn’t much in the way of psychological development of the characters.

Black Samurai

American Samurai 3 - Black Samurai

This is a blaxploitation film that has some pretty good karate action but has the word “samurai” in the title for marketing purposes.  The character development of the hero Jim Kelly is his evolution from being one cool cat to being an even cooler cat in the eyes of the audience.  Still, Jim Kelly is always fun to watch.

You have to love Jim Kelly’s double front kick! Jim Kelly’s trademark was kicking with one leg and then the other while in the air.  The more common flying double front kick is hitting two opponents at the same time which makes more sense from a combat point of view but is less fun to watch.  For all fellow would be samurai I found the following tutorial video:

I guess you can use a lot of the same training methods to do the Jim Kelly kick. I am retired and will skip the entire process.  I did Karate in my twenties no problem.  I tried again at fifty and almost died!

Bushido Blade

American Samurai 4 - Bushido Blade

Laura Gemser is in this film and she has a sword!  Laura Gemser was just about the only SE Asian sexy gal in mainstream, and not so mainstream, Western film for about twenty years and persons of a certain age will remember her fondly.  Why wouldn’t you watch this film!  I couldn’t find an English version of the film on YouTube but I have to say the German version below really grows on you.

There is a good sword fight between Frank Converse, as Captain Lawrence Hawk using a sabre, and a samurai.  Sword fights work even if you don’t understand German which I don’t.  As stated, there really is no such thing a “realistic” sword fight in movies but this scene has zero CGI and wire acrobatics and is a reasonable attempt to imagine how such a fight would play out while being entertaining.  The katana and the sabre are both swords that emphasize slashing but allow for thrusting as well.  I have handled both weapons and the weight is comparable.  A katana is generally held with both hands and a push/pull movement adds to the power of the cut.  However, Miyamoto Musashi did use two swords, one in each hand and was probably the greatest sword’s man in Japanese history.  The sabre’s guard means the sabre is strictly a one handed affair.  A knife, iron gauntlet or even a cloak with weights sewn into the bottom were sometimes used in the other hand.  A person who had used a sabre would not be totally lost using a katana and vice-versa.  There is some discussion between Laura Gemser and Frank Converse as to what being a samurai is all about.

There is even a pretty good verbal critique of kenjutsu compared to military sabre technique by Frank Converse. Actually, Frank just tears into kenjutsu.  I was a little surprised way back then since this was just about the first time I had ever been exposed to the idea that maybe Asian martial arts weren’t just totally superior to Western martial arts.  Someone involved this movie had studied both sword fighting techniques at least a bit and this is reflected in the movie.

Ghost Dog: The Way of the Samurai

American Samurai 5 - Ghost Dog The Way of the Samurai

This offbeat story has a believable hero. Ghost Dog is black man in America that becomes a samurai and the why and how actually make sense.  The whole revenge as origin hero story was old when done with Batman.  The origin story in this movie goes in a different direction.  The choice of the hero is perhaps existential?  The hero has grown up in a world of chaos and the samurai code forces order on his internal chaos.  There is a bit of this existential origin in the Dark Knight Returns by Frank Miller.  There is not so much a struggle between good and evil but between meaning and meaningless existence.

The movie is funny and poignant at the same time. The fight scenes are believable and interesting.  The hero uses a nice mix of kenjutsu, wing chun and eskrima.  This is a film that operates at various levels and you can watch it more than once and pick up on all sorts of metafictional layers.  The conflict between ninjō and giri permeates the story.  Bushido is dealt with explicitly.  Mafia style gang loyalty is compared directly with bushido and the two are found to be very similar.  The absurdity of a samurai world view in modern America is also dealt with and the answer is that perhaps in a chaotic America some code is needed and bushido is not the worst choice.  One of my favorite American made samurai films.

Hirokin: The Last Samurai

American Samurai 6 - Hirokin The Last Samurai

A collection of sword fights in a Tatooine like landscape with just a thread of a plot to link the sword fights together.  The sword fights aren’t terrible but not all that great either.  The lack of comprehensible dialogue, plot structure and logical consistency means that this is possibly the worst American made samurai film ever in a subgenre that has lots of awful films to compete with.

Kill Bill 1 & Kill Bill 2

American Samurai 7 - Kill Bill 1

American Samurai 8 - Kill Bill 2

I love these films! A giant homage to Japanese samurai films and every other cheesy subgenre produced in Japan and Hollywood since the sixties.  Does such a flurry of homage make the film metafictional?  Uma does talk to the third wall directly in Kill Bill 2 and describes the film as a “’roaring rampage of revenge”. The sword scenes are bloody, fun and over the top!  Uma Thurman is a warrior in this film and you believe it!  Uma Thurman has been betrayed by her clan and now has an obligation as a warrior to kill them and makes a list of who has to be killed.  Uma Thurman hesitates a bit when Copperhead is found to be a mother with a daughter but in the end Uma chooses giri over compassion and kills Copperhead.  The main villain is her ex-lover and mentor Bill. Bill introduces him to a daughter they had but she never knew about.  Maybe Uma will let bygones be bygones and they will raise their daughter together.  No way!  Uma kills Bill but sends him off to die on the beach after her fatal blow, the five point palm-exploding heart technique, with a sad forced smile.  Uma even straightens Bill’s suit before he staggers off to die.  Uma cries afterwards as her newly discovered daughter watches television but she has done her duty.

Red Sun

American Samurai 9 - Red Sun

Cowboys play with samurais. Charles Bronson, Ursula Andress and ToshirōMifune are all top actors that combine to make a cocktail that doesn’t quite work but is fun to drink anyway.  Charles Bronson slowly learns about bushido from Toshirō Mifune and learns to respect Toshirō Mifune and his code.  Not a lot of sword play but what is in the movie is competently done.

Samurai Cop

American Samurai 10 - Samurai Cop 1

American Samurai 11 - Samurai Cop 2

The scene below shows a combination of bad dialogue and bad delivery rarely seen in even a straight to video film. Incredibly, there was a sequel to this film (Samurai Cop 2)!  The samurai cop is not a samurai but a bad actor with a sword.

Samurai Girl

American Samurai 12 - Samurai Girl

Samurai Girl is a made for TV mini-series. Jamie Chung is the very pretty heroine and a lot of fun to watch.  This show is basically a teen drama with a thin samurai veneer.  There does seem to be a lot of girl on girl violence!  There is a seppuku scene but overall bushido elements are ignored.

Samurai Jack

American Samurai 13 - Samurai Jack

Samurai Jack is an immensely popular cartoon series. I would say the best cartoon that the Cartoon Network ever made and I like their cartoons in general.  This show is the winner of many awards. Samurai Jack is probably the best American made samurai cartoon.  Actually, the only American made samurai cartoon but still fantastic.

Saturday Night Live Samurai

American Samurai 14 - Saturday Night Live Samurai John Belushi

This was a series of skits in TV series Saturday Night Live.  John Belushi did several skits in which a samurai is forced to do various pedestrian jobs such as working in a hotel and a delicatessen.  The Belushi version of the samurai does not speak English but uses made up Japanese with lots of guttural sounds and screams that capture the speech patterns of chanbara films.  I have copied Belushi’s mannerisms and have been known to do a comic version of seppuku with a pencil or whatever impromptu prop happens to be around.  These skits are still hilarious now as they were then.

Shōgun

American Samurai 15 - Shōgun

This is a TV miniseries about samurai.   Shōgun had a huge positive influence on how Americans viewed samurai and Japanese culture in general.  I watched every episode in B&W on my TV in Howland House with my girlfriend as the episodes aired.  I can safely say this is the made in America samurai film that really made me curious about Asia.  Yoko Shimada played Mariko and because of her performance, having a Japanese girlfriend someday was put on my bucket list.  Perhaps if I had never seen this series then I would have never moved to Asia.

Silver Samurai

American Samurai 16 - Silver Samurai

The Silver Samurai was not a film but a character in The Wolverine: The Path of a Ronin.  The character is a giant robot unlike the human mutant version in the comic book.  The fight between the Silver Samurai robot and Wolverine is probably the best action scene in a film that has little going for it but action scenes.  Wolverine is arguably an American samurai, a ronin specifically, despite the fact he doesn’t use a sword.

Six-String Samurai

American Samurai 20 - Six-String Samurai

This film had excellent sword action. If there were any bushido elements in this film then I missed them.  This is more an homage to American popular music than to Japanese samurai movies.

Teenage Mutant Ninja Turtles III

American Samurai 17 - Teenage Mutant Ninja Turtles III

Ninjas are the natural enemies of the samurai. Why not have the Teenage Mutant Ninja Turtles go back in time and play at being samurais?  This is a silly but amusing film.

The Last Samurai

American Samurai 18 - The Last Samurai

The Last Samurai is a very controversial film from a historical point of view. Liberties are taken with historical events.  The heroic samurai of the film may in fact have been petty warlords.

Regardless of the historical debate associated with the film, the scenes in which poor Tom Cruise learns to use the katana with a bokken give the audience a good feel as to how kenjutsu is not kendo!  The bokken is a wooden sword that can be used as a weapon in its own right.  Kendo uses a shinai.  The shinai is a bamboo weapon which actually causes the user to learn bad sword fighting habits due to its lightness compared to the steel of a sword.  A shinai is for practice purposes only and quite useless as a weapon.  Practicing with a bokken is a dangerous affair and the shinai was a safe substitute for the bokken when kendo was created for none samurai. Despite the title of the video below, Tom Cruise is practicing kenjutsu not kendo!

Probably the best American samurai film when it comes to lavishness, large scale battle scenes and high production standards.

The Silent Stranger

American Samurai 19 - The Silent Stranger

In Red Sun cowboys meet samurai.  In this film a spaghetti cowboy meets many samurai.  The sword action is amusing and tons of action.   The hero is a cowboy.  Cowboys don’t have any duty versus compassion dynamic as a rule or do they?

Conclusion

The word samurai is often inserted in the title of made in America samurai films for marketing purposes with little regard to prior Japanese samurai conventions in the area of Japanese style swordsmanship or some nod to bushido. The worst culprits are American Samurai, Black Samurai, Hirokin: The Last Samurai, Samurai Cop and The Silent Stranger.  Interestingly, the better films overall are also the films that deal with Japanese samurai conventions and include: Bushido Blade, Ghost Dog: The Way of the Samurai, Kill Bill, Red Sun, Samurai Girl, Samurai Jack, Saturday Night Live Samurai, and Shōgun.  I would single out Ghost Dog, Kill Bill, and Samurai Jack as the best films in this category.  Both Ghost Dog and Kill Bill have a metafictional dimension.  In Ghost Dog the metafictional dimension is partly directed towards samurai cinema in Japan.  The Kim Ashida story is unintentionally metafiction. Fiction masquerading as reality!

Hugh Fox III - Alkaveda

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The 36 Stratagems as Portrayed in Comic Books

00 Hugh Fox & Bruce Lee

Introduction

I first heard of The 36 Stratagems when I was working on a comic book story with Bruce Lee in 1974.  The story was eventually published in The Deadly Hands of Kung Fu #14 (see cover above).  Bruce Lee envisioned a story that revolved around stratagem three of the 36 Statagems “Kill with a Borrowed Knife” that entails using the strength of another to defeat your enemies.  Bruce knew me from my cinema work in which I played the role of an evil psychologist turning nice Hong Kong girls, among others, into killing machines or worse in the The Evil Dr. Fox series produced by Shaw Brothers Studios.  We had tried again and again to make a “Bruce Lee vs. Dr. Fox” movie in Hong Kong without success.

The comic book was definitely a plan B.  There was a metafictional aspect to our comic book collaboration since Bruce Lee would more or less be playing himself in the comic book story.  I had played heavies in various B films in Hong Kong before the success of the mad psychologist Dr. Fox series.  In hindsight, I realize that using my actual last name as that of the character in that series was probably not a good idea.  I actually was a professor working as an English teacher in a Hong Kong university language center. I did some acting on the side to earn extra money and because acting was also a lot of fun.  I would like to take this opportunity to separate fact from fiction.

The real Dr. Fox cannot do the incredible kung fu stunts that are seen in my movies. I do have some knowledge of martial arts but I am more a theoretician than a practicioner:

Fox Martial Arts Taxonomy

The real Dr. Fox knows absolutely nothing about brainwashing.  If you want to learn English then give me a call but if you want to brainwash your ex-girlfriend to fall in love with you again then I am the wrong person for that task.  Metaschizophrenia, the Bureau of Intelligence Synthesis and corrective reality are all fictions and not real!

A stratagem is often used as a synonym for the word “strategy” and this is an incorrect use of the term.  A stratagem is more correctly defined as a ruse.  However, I think the term ruse is simplistic when applied to the term stratagem.  Based on the historical usage of the word, I would describe a stratagem as a ruse used for military and/or political purposes.  Also, a stratagem is a ruse that has been used for purposes other than mere monetary gain unlike a confidence trick.  For example, the Spanish prisoner con is basically the same as “7) Create Something Out of Nothing. – Turn something that is not substantial into reality” stratagem in the list of stratagems below at an operational level but the contextual historical background is totally different.  Operational similarities aside, the contextual background of the ruse given to the potential user is important for easy applicability.  A con man may have trouble understanding an operation given in a military context.  A military officer might have trouble applying a con explained within a monetary context to a military situation.  One of the recurring plot lines of modern fiction is having cons that are generally used for criminal purposes for government goals as is the case in the popular franchise Mission Impossible.  However, translating operations to a different context may not be as easy as the mentioned franchise suggests.

I would also like to contrast a stratagem with a ruse of war.  For example moving landmarks to confuse the enemy is clearly a ruse of war but I would not call it a stratagem.  Historically, a stratagem has a larger goal than the mere temporary confusion of the enemy.  Perhaps a stratagem is a ruse of war with strategic rather than tactical intent.  I would define a stratagem as a ruse of war with strategic intent.  In short:

1) A con is a ruse for monetary gain.

2) A ruse of war is a ruse for tactical military gain.

3) A stratagem is a ruse for strategic military and/or political gain.

I would like to apply this system of ruse classification to a particular historical example that would have been difficult to classify prior to this article.

In Operation Bernhard, the Nazis counterfeited British pounds in order to destabilize the British economy.  Was Operation Bernhard a con, ruse of war or a stratagem?  Certainly Operation Bernhard was a ruse.  I would argue that Operation Bernhard was not a con since the objective was political and not monetary.  If the goal was to supply Nazi agents with local money in Britain then it would be a ruse of war.  Since the goal was strategic then I would say Operation Bernhard was a stratagem and specifically: “2) Besiege Wei to Rescue Zhao. – Attack their Achilles heel” in the list below.

Feudal Chinese military strategists suggested the study of stratagems as part of basic military education.  The 36 Stratagems is an essay that explains stratagems in detail.  This essay shows how the 36 stratagems have been portrayed in comic books.  The author of this essay doubts the comic book writers were aware of the Chinese text on this subject but learned about the stratagems indirectly and used them largely for plot purposes rather than edification.  An essay of how the 36 stratagems have been used in comic books provides an interesting extension of literary criticism and how theories other than literary theory can help us understand modern media such as comic books.

The 36 stratagems are traditionally broken into six categories with six stratagems per category.  I find the categories are largely useless and create logical confusion.  The rationale for the six categories probably has more to do with Taoist aesthetics than any operational logic.  For example, #31, the honey trap is under the category six of “Desperate Stratagems” but this stratagem could just as easily be classified under category two, “Enemy dealing stratagems”.  For the purposes of utility, the categories have been deleted and a simple 1-36 list has been used instead. 

The Original 36 Stratagems – Contemporary Maxims

1) Cross the sea by deceiving the sky.  Act in the open, but hide your true intentions.

1 36 Stratagems Cross the sea under camouflage

This is the use of a series of false alarms so that when you actually attack then you will have the element of surprise.  Supervillains don’t use this stratagem very much since every time they move then they get caught because of the dictates of a media were the good guys always win.  However in World’s Finest #88, the Joker and Lex Luthor commit a series of crimes that are actually Mechano-Men stunts and not crimes.

1-36 Stratagems as Portrayed in Comic Books-World's Finest Comics #88 (1957) - Page 6

2-36 Stratagems as Portrayed in Comic Books-World's Finest Comics #88 (1957) - Page 14

In his first appearance in Action Comics V1, #51, the Prankster gives money to banks in apparent bank robberies until he decides to start robbing banks instead when the guard of the banks is let down.

3-36 Stratagems as Portrayed in Comic Books-Action Comics #51 (1942) - Page 12 4-36 Stratagems as Portrayed in Comic Books-Action Comics #51 (1942) - Page 15

The con version of this stratagem is a Kansas City Shuffle.

2) Besiege Wei to rescue Zhao.  Attack their Achilles heel.

2 36 Stratagems Besiege Wei to rescue Zhao Surround one state to save another

Lex Luthor has used Green Kryptonite to attack Superman at least a hundred times.  At this point the idiom Kryptonite to signify an Achilles heel is probably better known than the original antecedent idiom.  This only works if the bad guys know the fatal weakness of the super hero.  There can be an irony to the Achilles heel of a superhero as a plot device.  For example, Daredevil is more vulnerable to sonic attack due to his enhanced hearing but this has been kept secret by Daredevil.

The Achilles heel of most superheroes is their loved ones. The Injustice: Gods Among Us explores a universe in which the Joker has killed Lois Lane, Superman’s unborn son and most of Metropolis.   In the comic book, not the video game, that is ongoing, Superman seems to be on the path of creating a dictatorship.  In the comic book, the US government attempts but fails to keep Superman’s adopted family, Jonathan and Martha Kent in a Mirror Master dimension but this attempt fails.  Superman emerges angrier than ever due to this attempt by the US government.

5-36 Stratagems as Portrayed in Comic Books-Injustice - Gods Among Us #7 - Page 21 6-36 Stratagems as Portrayed in Comic Books-Injustice - Gods Among Us #8 - Page 21

The problem of the loved ones Achilles heel is that once you used up loved ones then your enemy is enraged and stronger than ever.  This seems to apply to real life to some extent.

Iron Man had his armor hijacked by a Hypersonic Scan Transmitter in the Demon in a Bottle story line.  Justin Hammer used the hijacked armor to kill an Ambassador while Iron Man was in the armor and effectively framing Iron Man for murder.

7-36 Stratagems as Portrayed in Comic Books-The Invincible Iron Man #124 - Page 32 8-36 Stratagems as Portrayed in Comic Books-The Invincible Iron Man #126 - Page 16

Overall, super villains are constantly looking for the weakness of their favorite super hero and will attack such a weakness without mercy.

Green Lantern has a green Power ring that is one of the most powerful weapons in the DC universe but the Power ring has an Achilles heel and that is that the Power ring is unable to affect objects colored yellow.  Sinestro had a yellow Power ring which in turn was ineffective with objects colored green!  This is cute use of the Achilles heel plot device but does seem a little too much in a modern context.  The Earth 2 Green Lantern, Alan Scott,  has a Power ring unable to affect wooden objects.  Green Lanterns have a weapon of incredible power so the only way a fight with bank robbers could not be totally one sided and interesting was to introduce a ridiculous Achilles heel.

Mon-El is a Daxamite.  Daxamites are about as powerful as a race as Superman who is a Kryptonian.  However, the Achilles heel of Daxamites is a vulnerability to even small traces of lead.  Presumably this plot device prevents the Daxamites from taking over the DC universe.  In a similar manner, the Martian Manhunter is more or less as powerful as Superman but is vulnerable to fire!  DC first used Kryptonite to allow interesting plots with a being as powerful as Superman and then continued this practice with Green Lantern, Mon-El, and the Martian Manhunter.  This use of a very fine tuned Achilles heel is a hallmark of the DC Silver age and seems forced nowadays.

3) Kill with a borrowed knife.  Attack using the strength of another person.

3 36 Stratagems Kill with a borrowed knife

In Avengers, Vol1, #1, Loki tries to trick the Hulk into fighting Thor but instead ends up creating the Avengers.  Loki bailed out the Cobra and Mr. Hyde and doubled their powers and aimed them at Thor’s Achilles heel, the current love of his life Jane Foster.  Loki has created super villains to fight Thor including the Absorbing Man.  Loki tricked the Silver Surfer into fighting Thor (Silver Surfer, V1, #4).  Loki in Acts of Vengeance attacked the Avengers by creating a team of super villains who in turn used even other super villains to attack the Avengers.  Loki’s true goal was to hurt his half-brother Thor.

Daredevil used HYDRA to destroy the Kingpin’s organization in the Last Rites story arc (Daredevil #297-300).  The Kingpin nearly destroyed Daredevil in the Born Again story line earlier via a series of stratagems so there is a plot symmetry in Daredevil striking back against the Kingpin using a stratagem.

17-36 Stratagems as Portrayed in Comic Books-Daredevil V1 #299 (1991) - Page 22

Darkseid has supplied advanced weaponry to Intergang in order fight Earth’s superheroes and to track down the Anti-Life Equation.  Darkseid also created an incarnation of the Secret Society of Supervillains and kept his involvement secret from the supervillains for an extended period of time.  Darkseid knew many supervillains are interested in loot rather than the larger strategic goals he had.

Justin Hammer supplied advanced technology to Iron Man’s adversaries in exchange for fifty percent of the loot the supervillains stole.  Justin Hammer also used stratagem #2 to attack Iron Man.

The Silver age Lex Luthor joins with Brainiac in the Crisis of Infinite Earths to form an army of supervillains.  The Modern age Luthor creates the Parasite, Bizzaro and the cyborg Metallo.  The Infinite Crisis Luthor creates the Society of Supervillains.

4) Relax and wait for the adversary to tire himself out.  Exercise patience and wear them down

4 36 Stratagems Wait at ease for the enemy

Doctor Octopus unsuccessfully tried to wear Spider-Man down using the newly formed Sinister Six who attacked Spider-Man one by one in The Amazing Spider-Man Annual #1.  Doctor Octopus hoped that the exhausted Spider-Man would be defeated when he attacked Spider-Man last.

In The Dark Knight Returns, Batman uses this stratagem to fight Superman.  Batman attacks Superman with an otherworldly Batmobile, followed by cruise missiles and finally has Green Arrow shoot Kryptonite tipped arrows to weaken Superman sufficiently so that Batman with his exoskeleton can give Superman a beating before Batman appears to die of a self-induced heart attack.

5) Loot a burning house.  Hit them when they are down.

5 36 Stratagems Loot a burning house

Attack the enemy when they have internal difficulties.  The Kingpin literally blew up Daredevil’s house after framing him for bribery, destroying him financially and overall attacking him as Matt in the Born Again story arc.  The Kingpin muses that a destroyed Daredevil might serve him!  The Born Again story line also illustrates stratagem #2 and the use of interlocking stratagems, stratagem #35.

Norman Osborn looted Tony Stark’s armory and created the Iron Patriot armor from the loot.

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Comic books need fights and fights between super heroes like Thor and the Hulk are always popular.  You see a lot of “temporary misunderstandings” between super heroes but after the mandatory six to ten panel fight, the misunderstanding is patched up and the heroes unite to fight the supervillain that created the conflict in the first place.

6) Make a feint to the east while attacking in the West. Fake to the right; attack to the left.

6 36 Stratagems Make a feint to the east while attacking in the west

Ozymandias was defeated by the Comedian during their first fight due to a feint.  The Prankster in the Modern Age acts as distraction-for-hire for Superman for a fee while criminals commit crimes.  Batman has been known to “miss” with his Batarang because he is actually going for a ricochet shot.  Daredevil does the same thing as Batman but with his Billy Club not a Batarang.

7) Create something out of nothing. Turn something that is not substantial into reality.

7 36 Stratagems Create something out of nothing

Vaporware is the modern equivalent of this stratagem.  The Prankster copyrights the English language and then charges fees for use of the alphabet!  Ozymandias tricks the world with a fake alien in order to unite the world in a war against the aliens and stop WW III from happening.

8) Secretly utilize the Chen Cang passage.  Pretend to advance down one path while taking another hidden path.  Pretend to care about an issue and later give it up to get what you really want.

8 36 Stratagems Pretend to advance along one path while secretly getting along by a hidden path

This stratagem is a more specific version of “(6) Make a Feint to the East While Attacking in the West. – Fake to the right; attack to the left”.  The difference is that beyond misinformation there is the use of physical baits such as a decoy.  Iron Man, Loki and Dr. Strange all have the ability to make mirror images of their own image in order to confuse the enemy.  If you try to touch the mirror copy then your hand will go through the copy and the copy cannot interact with the enemy so the illusion only creates temporary confusion. This is a type of illusion whether the origin is holographic science in the case of Iron Man or magic in the case of Dr. Strange and Loki.  This power is used in an irregular manner with the characters mentioned.

Mirror Master uses the power in a more consistent manner in order to flee from the Flash who has super speed.  The Mirror Master will often make multiple holograms of himself that flee in different directions.  Flash is fast enough to chase all the holograms so this rarely works but this doesn’t stop the Mirror Master from using this trick again and again.

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A slightly different version of this stratagem is the use of robotic copies.  When dealing with Doctor Doom, you never know if you are dealing with Doctor Doom or a robotic copy of Doctor Doom.  While you are dealing with the Doctor Doom robot, the real Doctor Doom can be watching from afar and coming up with some other counter plan.  Robots that are created by Doctor Doom that are exact replicas of Doctor Doom are called Doombots.

S.H.I.E.L.D makes extensive use of Life Model Decoys (LMDs).  Nick Fury LMDs serve a similar function for Nick Fury as Doombots for Doctor Doom. In the case of Doombots and LMDs the problem of controlling the robots has been a plot device.  Your robotic copy can try to supplant the original!  Max Fury is an LMD that has played a prominent role in the Marvel Universe.

Tony Stark (Iron Man’s secret identity) is probably the second greatest user of LMDs after Nick Fury.  Tony Stark was paralyzed and used the Neuromimetic Telepresence Unit 150 (NTU-150) to act as a remote controlled version of Iron Man.

In the film X-Men: The Last Stand, Magneto has Multiple Man  make multiple copies of himself and the copies act as a decoy while the real Brotherhood escapes.

9) Watch the fire burning from across the river.  Allow them to fight your other enemy while you rest and observe. Later, defeat the exhausted survivor.

9 36 Stratagems Watch the fire burning from the other side of the river

Ultra Boy, of the Legion of Super-Heroes, used covert means to trick Mordru into attacking Glorith in order to stop Glorith from taking over the universe (Legion of Super-Heroes Annual V4 #1.

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10) Conceal a dagger in a smile.  Befriend them to get their guard down, then attack their weakest point.

10 36 Stratagems Conceal a dagger in a smile

The Batman has some very charming enemies.  The Joker often smiles and even laughs as he kills his victims.  The Joker also likes to make his victims smile while they die as well with his patented Joker venom.  The Riddler is another smooth talking rogue that is an enemy of Batman.  Ra’s al Ghul treats Batman as a worthy opponent and calls Batman detective out of respect.

Ra’s al Ghul has a daugher, Talia al Ghul, does more than smile for Batman and has given Batman a son!  Talia seemingly becomes an ally of Luthor and runs LexCorp while Luthor is President but secretly sells LexCorp to Wayne Enterprises in order to ruin Lex Luthor.  However, Talia is a ruthless criminal that will fight Batman.

Ozymandias is very genial even as he battles Rorschach, Nite Owl and Silk Spectre.

11) Sacrifice a plum tree to save a peach tree. Let the plum tree wither in place of the peach tree.  Trade up! Take a small loss for a large gain.

 11 36 Stratagems Sacrifice the plum for the peach Ready to make sacrifice for the ultimate gain

Super villains are more than willing to sacrifice henchmen for any sort of advantage or just kill them for fun.  Probably the worst super villain boss is the Joker who gets a kick out of shooting, electrocuting and poisoning henchmen left and right.

12) Take away a goat in passing.  Take advantage of every small opportunity.

12 36 Stratagems Lead away a goat in passing Picking up something in the sly

The Taskmaster is an interesting super villain who decided a lot of small opportunities with small risk is a better idea than the big score.  The Taskmaster runs a school for henchmen.  In general, super villains do not think small and do pass up small opportunities.  The biggest opportunity that super villains pass up is licensing their technology.  If the technology is stolen then this makes sense but in the case of criminal masterminds like The Mad Thinker and Egghead, you have to wonder why they don’t focus on being a the next Bill Gates rather than wasting their time on crime.

13) Beat the grass to startle the snake.  Stir things up before beginning to negotiate for your true interests.

13 36 Stratagems Beat the grass to startle the snake

Ok, this is the application of stratagems to a type of genre that generally relies on fist fights for plot development.  No one said this task would be easy.  I am going to revise this as distraction as a tactic or even super power in a comic book.  Deadpool has officially been classified as a character with the super power of distraction by a major super villain, Taskmaster.  Spider-Man consistently keeps up a line of personal to funny chatter while fighting that unnerves opponents.

14) Raise a corpse from the dead.  Revive a dead proposal by presenting it again or in a new way.

 14 36 Stratagems Raise a corpse from the dead

This stratagem means take something from the past and giving it new relevance.  I guess the Chinese knew endless reboots of everything from Spider-Man to Iron Man were going to be part of the future!  This may be number #14 in the list of stratagems but in comic terms this stratagems is number #1!

Comic books love updating old weapons!  The Atomic Knights use medieval armor after WW III!  Hawkman likes to use archaic weaponry.  Green Arrow and Hawkeye use trick arrows.  Batman uses Batarangs, boomerangs and shurikens, in his utility beltCaptain Boomerang and Boomerang use trick boomerangs.  Whiplash uses a technologically enhanced whip.  Wonder Woman has her Lasso of Truth. Comic book heroes and villains delight in taking and old weapon and adding new technology to the weapon so a trick version of the weapon is created.

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15) Lure the tiger out of the mountain.  Seek a neutral location. Negotiate after leading them away from a position of strength.

15 36 Stratagems Lure the tiger out of the mountain

Super heroes don’t really rely on forts and mazes to take care of their enemies.  Batman has the Batcave and Superman has his Fortress of Solitude. However, the last thing super heroes want is supervillains visiting their lairs.  Incredibly the opposite happens and super heroes wander into the stronghold of villains all the time.  At least once every three years, the Fantastic Four visits Latveria the stronghold of Doctor Doom.  This is not just a lair but a whole country that Doctor Doom controls so probably visiting Doctor Doom in Latveria is not a good idea but that doesn’t seem to deter the Fantastic Four in the least.

Doctor Doom may have a nation on his side but Luthor tops that big time by having a whole planet on his side!  In the Silver age, In Superman Vol 1, #164, Luthor challenged Superman to a fight on Lexor.  Lexor is a planet that has a red sun so Superman has no powers on Lexor!  Also, on Lexor, Luthor is a hero and Superman is considered a villain!  In Superman, Vol 1, #168, Luthor even manages to find some ancient technology that allows him to temporarily gain super powers on Lexor!  Lexor is an extreme example but supervillains are often luring the super heroes into their lairs in order to have them fall into some death trap or another.  This is especially the case with Batman.

Arcade is an assassin for hire that uses custom built amusement parks filled with deadly traps named Murderworlds in order to kill superheroes.  Arcade has a sporting side and does deliberately leave a small chance for escape from his deathtraps.  Arcade at one time or another has tried to kill Adam X , Angel, Apex, Avengers Academy, Chase Stein, Colossus, Courtney Ross , Darkhawk, Dazzler, Deadpool , Doctor Doom, , Excalibur , Gambit , Green Goblin, Hazmat, Hercules, Human Torch , Iceman, Impossible Man., Iron Man, Johnny Blaze, Juston Seyfert and his Sentinel, Kid Briton, Meggan, Mettle, Micronauts, Nara, Nico Minoru, Nightcrawler Northstar,, Red Raven III, Reptil, Shadowcat, Shatterstar, Spider-Man, The Thing, Wolverine, X-23 , X-Factor, X-Force , X-Men  and the Young Allies.

Deathtraps are a comic book cliché and part of the cliché is the supervillain’s monologue that allows the super hero time to escape.  Why doesn’t the supervillain just shoot the captured super hero?  The answer is that the super hero needs to escape for plot purposes.

16) Let the adversary off in order to snare him.  Do not arouse their spirit to fight back.

16 36 Stratagems Let the enemy off in order to snare him

In Silver Surfer Vol 1, #5, there is a Tales of the Watcher back story, titled “Run Roco Run”.  Roco ends up serving a life sentence in Jupiter but is hypnotized into believing he has escaped and therefore no longer tries to escape!  This story is a retelling of “Run, Rocky, Run!” drawn by Bob Forgione in Tales to Astonish (Marvel, 1959 series) #26 (December 1961).

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17) Toss out a brick to attract a piece of jade.  Trade something of minor value for something of major value.

17 36 Stratagems Toss out a glazed tile to draw a jade Cast a brick to attract a gem

In Irredeemable, the Hornet gives the Vespan aliens a list of other habitable planets that they can conquer in exchange for leaving Earth alone and imprisoning Plutonian, a super hero gone bad.  Hornet is ironically a Batman type super hero without super powers but via this stratagem turns an alien invasion around and defeats the Superman type hero Plutonian.  With the right stratagem, the weakest member of the team physically can be the most important team member in terms of results.

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18) To catch bandits, nab their ringleader first.  Convince the leader and the rest will follow.

18 36 Stratagems To catch rebels, nab their king first

Supervillains do love to kidnap the President of the US.  Occasionally, supervillains take over the UN in order to blackmail the whole world and not just the US.  Overall, the comic book world of super heroes and supervillains is very egalitarian and chaotic.  For example, Superman isn’t really the leader of the super heroes but kind of a moral guide.  Reed Richards is supposed to be the leader of the Fantastic Four but he definitely has to run things by the other members especially his wife the Invisible Woman.  The Avengers has a rotating leadership but Captain America generally acts as an informal leader on the battlefield at the tactical level.  The X-Men do have a real leader, Professor X and occasionally Professor X is targeted as a leader.

There is no real leadership structure for the supervillain side either.  Norman Osborn did create the Cabal which led to the Dark Reign storyline.  The Cabal did effectively control most of the supervillains in the Marvel Universe and Hawkeye did try to assassinate Osborn (Dark Reign: The List – Avengers) and hoped that this would bring the Cabal down but failed.  Lex Luthor became the President of the US and during that period could call on an army of supervillains in order to take out Superman and Batman but that didn’t last long.  Leadership for both the bad guys and good guys in comic books is a network lacking central nodes that can be removed to take down the whole system.

19) Remove the fire from under the cauldron.  Eliminate the source of their strength.

19 36 Stratagems Take away the fire from under the cauldron

The source of power for some super heroes is certain environmental conditions.  If you can’t find any Kryptonite then you can always remove the yellow sun which is the source of Superman’s powers.  Lex Luthor does this to Superman twice in Superman Vol 1, #164 and #168.  In World’s Finest, Vol 1, #163, the villain Jemphis turns the yellow sun of his planet into a red sun via atomic explosions activated by a button on his person.

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DC has Aquaman who will lose his strength and die if he is out of water for extended periods of time.  So of course super villains are always trying to dry dock Aquaman!  Marvel has Namor the Submariner and has a similar weakness to Aquaman but while Namor’s strength will diminish out of water, Namor will not die out of water.

Green Lantern has a Power ring that is one of the most powerful weapons in the DC universe.  However, the power ring needs to be recharged every 24 hours from a battery that looks like an old style lantern.  Hide the lantern and you can take out the Green Lantern.  Problems with the lantern are a central plot device in Green Lantern V1, #9, #20, #32, #74, and #116.  If you want to take down the whole Green Lantern Corps then take out the Central Power Battery which charges all the other lanterns.  When Hal Jordan went mad temporarily, he destroyed the Central Power Battery and effectively destroyed the Green Lantern Corps.

The best article on the internet about comic book weapons at:

DC vs. Marvel: Weapons

20) Muddle the water to catch the fish.  Do something surprising or unexpected to unnerve them, and then take advantage of that situation.

20 36 Stratagems Fish in troubled waters

The Joker does crazy stunts that keep Batman and other supervillains off balance.  Deadpool is a Marvel supervillain that does similar stunts.  Crazy gives supervillains an advantage in the comic book world.

21) The cicada sheds its shells.  When you are in trouble, secretly escape.

21 36 Stratagems The cicada sheds its skin

The idea is to escape but leave the lights on so the enemy still thinks you are home.  In the Young Justice TV series, most of the Justice League and all of the heavy hitters have to appear before an off planet court.  In episode #33 titled “Depths”, Young Justice impersonates the Justice League at a Mars satellite launch in order to fool any super villains that might be watching into thinking the Justice League is still on Earth.

22) Fasten the door to catch a thief.  Completely destroy them by leaving no way for escape.

22 36 Stratagems Bolt the door to catch the thief

Prisons are largely ineffective in comic books since jailed supervillains do not make good reading.  Arkham Asylum seems to be a place where the Joker rests between bouts with Batman rather than a place of incarceration.  An extreme solution to problem of bad guys breaking out of jail in the DC universe was explored in the Salvation Run miniseries.  The DC supervillains are imprisoned on a distant planet. The same off planet imprisonment solution was applied to the Hulk but failed spectacularly in the World War Hulk story arc.  Over in the Marvel universe, Iron Man decides enough is enough and with Reed Richards creates a prison in the in the Negative Zone labeled Project 42.

23) Befriend a distant state while attacking a neighboring state. Build strategic alliances with others that will give you the upper hand.

23 36 Stratagems Befriend a distant state while attacking a neighbor

In the TV series, Young Justice, The Light is a group of supervillains that ally themselves with the Reach, aliens, that they plan to betray after they destroy the Justice League and Young Justice i.e. superheroes on Earth.

In Irredeemable, the Hornet makes a deal with Vespan aliens to take out, a super hero gone bad, named Plutonian.  Hornet also gives the Vespan a list of other habitable planets that they can conquer in exchange for leaving Earth alone and imprisoning Plutonian.

24) Borrow a safe passage to conquer the Kingdom of Guo. Attack Hu by a Borrowed Path.  Temporarily join forces with a friend against a common enemy.

24 36 Stratagems Borrow a route to conquer Guo Borrow the right of way to attach the neighbor

Spider-Man has had any number of temporary team ups with any number of superheroes in Marvel Team-Up for plot purposes but generally the rationale if any is offered is stratagem 24.  Batman basically does the same thing over at DC albeit not as consistently as Spider-Man in The Brave and the Bold comic book series starting in issue #50, volume 1, and more notably in the TV series Batman: The Brave and the Bold.  In general, Super heroes are better team players and friends than super villains.

Supervillains are always trying to betray their partner.  Marvel had a title named Super-Villain Team-Up and actually generally ended up being the supervillain betrayal of their team member.  The Secret Society of Supervillains has always been much more unstable than their counterpart the Justice League.  Norman Osborn was very briefly able to unite the Marvel supervillains via the Cabal but that system soon broke down in part due to psychic sabotage of Osborn’s sanity by Loki, a fellow Cabal member.   Any favor done by one supervillain to another super villain must be treated with suspicion.  For example, in Superman, Vol 1, #167, Luthor increases Brainiac’s intelligence from a 10th level to a 12th level but puts in some hardware in Brainiac’s computer brain that allowed Luthor to control Brainiac!

25) Steal the dragon and replace with the phoenix. Steal the beams and pillars and replace them with rotten timber.  Sabotage, incapacitate, or destroy them by removing their key support.

24 36 Stratagems Borrow a route to conquer Guo Borrow the right of way to attach the neighbor

If you take the saying literally which is not necessarily correct then Catwoman has been known to leave a fake jewel in the place of a real jewel she has stolen so the owner doesn’t know they have been robbed.  Supervillains love to blow things up.  That is kind of what comic book supervillains do and there are too many examples to list here.

26) Point at the mulberry tree but curse the locust tree.  Convey your intentions and opinions indirectly.

26 36 Stratagems Point at the mulberry only to curse the locust

The Riddler literally talks in riddles.  The Etrigan the Demon talks in rhyme and his true message is difficult to understand.  These are not so much examples of ruses but aspects of the characters of the villains presumably created to make them more interesting.

27) Feign madness, but keep your balance. Pretend to be a pig in order to eat the tiger.  Play Dumb, then surprise them. Let them underestimate you.

27 36 Stratagems Feigning foolishness

Superheroes often have secret identities.  Clark Kent is the secret identity of Superman and in order to fool Lois Lane, among others, Clark will play the part of the bumbling idiot.  Bruce Wayne is the secret identity of Batman.  The role of Bruce Wayne is played in such a way as to convince others that Bruce Wayne cannot possibly be Batman.  Bruce Wayne often feigns drunkenness in particular.  Bruce Wayne has been known to use models who don’t speak English as alibis.  Tony Stark is the secret identity of Iron Man but is not feigning drunkenness but actually has a drinking problem and is probably a sex addict problem as well.

My last name is fox and I am going to translate this stratagem as the idioms “clever as a fox” or “crazy like a fox”.  Batman’s enemy, the Joker is probably actually crazy rather than pretending to be crazy but do not underestimate the Joker!  Batman has a lot of enemies that appear crazy but are actually pretty effective as super villains.  Two-Face has some sort of personality disorder that causes him to flip a coin during crucial moments in the struggle with Batman.  The Riddler has a compulsion to leave a riddle about his crime before doing the crime.  Announcing your crime however cryptically is probably not a good characteristic of a criminal.  The list Batman enemies that suffer from criminal insanity just goes on and on and about half his enemies are housed in the Arkham Asylum for the criminally insane and actually belong there rather than faking madness.  What we learn from Batman is that being nuts might actually give you an advantage in martial situations.  The Batman nutcase situation differs from this stratagem in that his opponents are really crazy rather than feigning craziness.

28) Remove the ladder after your ascent. Lure the enemy onto the roof, then take away the ladder. Cross the river and destroy the bridge.  Lead them into a trap, then cut off their escape.

28 36 Stratagems Remove the ladder after the ascent

Luring Batman into death traps is a Batman cliché at this point.  The Batman TV series used a death trap cliffhanger in a formulaic manner that became boring over time.  The nemesis of Austin Powers, Dr. Evil has a pathological need to use death traps.  The son of Dr. Evil, Scott Evil states the reason he never kills Austin Power is “Because you never kill him when you have the chance and you’re a big dope”.

29) Decorate the tree with fake blossoms. Flowers bloom in the tree.  Reframe deceitfully.  Expand the pie with objects of little value.

29 36 Stratagems Putting fake blossoms on the tree

When Doctor Doom was a young and fun loving gypsy, he sold luxury goods that appeared to be of great value to the local nobility using sorcery.  When the luxury goods disintegrated then the local Baron was not happy (Annual Fantastic Four #2 )!

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30) Turn yourself into a hot from being a guest. Host and guest switch roles.  Turn your defensive and passive position into an offensive and active one.

30 36 Stratagems Host and guest reversed

This is a bit of a stretch but super hero sidekicks start out as the guest of the super hero and then often become super heroes in their own right.  However, the original super hero almost never retires.  Robin can become Nightwing but Batman isn’t going anywhere!  The best article ever written on the topic of comic book sidekicks at:

DC vs. Marvel: Sidekicks

31) Use a Beauty to ensnare a man. The honey trap. Beauty Trap.  Provide alluring distractions.

31 36 Stratagems Beauty trap stratagem

Obadiah Stane used Indries Momji as a honey trap to destroy Iron Man.  Indries Momji causes Stark to fall in love with her and breaks his heart in order to cause him to resume his alcoholic ways leaving Stark Industries and its Iron Man technology easy prey for Stane (The Invincible Iron Man V1 #167).

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Loki used Lorelei in “For the Love of Thor” story line to manipulate Thor.  In the 1978 graphic novel by Stan Lee and Jack Kirby titled the Silver Surfer: The Ultimate Cosmic Experience, Galactus created a golden clone, Ardina, of his true love Shalla-Bal, with Silver Surfer powers in order to successfully force the Silver Surfer to become his herald again.

32) Open the gate of an undefended city.  Deliberately displaying your weakness can conceal your vulnerability.

32 36 Stratagems Empty city stratagem

In The Dark Knight Returns by Frank Miller, Batman muses how he has a bright yellow target on his chest so the bad guys will aim at his chest where he has a bullet proof vest rather than his difficult to armor head (Batman-The Dark Knight Book #1).

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33) Use adversary’s spies to sow discord in your adversary’s camp.  Provide inaccurate information to mislead them, especially through informal channels.

33 36 Stratagems Sow discord in the enemy's camp

In Fantastic Four #2, Reed Richards and the rest of the Fantastic Four pretend to be Skrull spies and trick the Skrull captain with pictures from Journey into Mystery and Strange Tales into believing Earth is defended by monsters (Fantastic Four V1 #2 ).

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34) Inflict pain on one’s self in order to infiltrate the adversary’s camp and win the confidence of the enemy.  Appear to take some hits. Feign weakness while arming yourself.

34 36 Stratagems Inflict injury on oneself to win the enemy's trust

In The Dark Knight Returns, Batman pretends to die of a self induced heart attack in order to fake his death and get off the radar.  This is the third instance of the use of a stratagem in The Dark Knight Returns and perhaps this is one of the reasons among many this work is a masterpiece in the world of comic books (Batman-The Dark Knight Book #4 ).

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n researching this stratagem I found out there is a lot more self-inflicted pain in comic books than I would have imagined!  Captain Carnage pretended to be a super villain in order to get beaten up presumably for masochistic reasons in the Watchmen universe.  Etrigan the Demon also presumably has masochistic tendencies.  Penance has a superpower that requires pain on his part to work!  When the flesh of Penance is raked with one of the 612 internal bolts in his suit, he can project explosive blasts from his body!  OMG!  Who comes up with these characters?  Odin sacrificed his right eye to gain wisdom from Mimir as how to stop Ragnarök (Twilight of the Gods) in Thor #274 (August 1978).

35) Lead your adversary to chain together their warships. Stratagem on stratagems.  Devise a set of interlocking stratagems to defeat them.

35 36 Stratagems Interlocking stratagems

The Kingpin discovered Daredevil’s secret identity (Matt Murdock) in the born Born Again story arc.  The Kingpin then launched several lines of attack at the same time.  The Kingpin uses his influence to have the IRS freeze Murdock’s accounts.  The Kingpin also has the bank foreclose on his apartment.  Finally the Kingpin coerces police lieutenant Nicholas Manolis to testify that he saw Murdock pay a witness to perjure himself.  The Kingpin overreaches himself when he blows up Daredevil’s house.  At that moment Daredevil realizes the Kingpin is behind the attacks on Matt Murdock and must know his secret identity.

36) Retreat is the best option.  If all else fails, run away. 

 36 36 Stratagems When retreat is the best option

Old Man Logan decides that when faced with a world that the super villains have taken over then it’s time to retreat to a little patch of land rather than get killed. Old Man Logan does eventually get around to fighting another day and killing all the villains!   Supervillains run away from super heroes all the time but the reverse is rarely true.  Even allowing supervillains the option of retreat is considered an unacceptable stratagem for super heroes.  In Thunderstrike Vol 1, #2, the hero Thunderstrike allows the Juggernaut to just go away rather than having the city get destroyed in a fight and is later admonished by Captain America (Thunderstrike #4 ).

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47-36-stratagems-as-portrayed-in-comic-books-thunderstrike-4-page-4

Conclusion 

What is surprising upon the analysis of stratagems in comic books is how rarely stratagems are used by supervillains.  If I was a supervillain fighting the likes of Superman and Thor then I would use every trick in the book.  Even the criminal masterminds like Luthor, the Kingpin and Loki do not use stratagems all that much.  My theory is that comic books are still largely a visual medium and it’s hard to “draw” a stratagem.  A fist fight is more interesting visually than a stratagem.  Also, the comic book writers may have a limited knowledge of stratagems.  A systematic comparison of cons, ruses of war and stratagems might yield interesting and synergic results conceptually which in turn would have practical value in competitive situations.

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DC Heroes Transformed! Part II Transformations Organized by Type

Part I looked at DC Transformations broken down by Superheroes.  This is part II and will look at transformations broken down by type of transformation.

Alien Transformations

Alien Transformations, Alien Collage Key, Action Comics #239, Adventure #270, Aquaman #16, Batman #140, Blackhawk #177, Alien Blackhawk, Detective Comics #251, Jimmy Olsen #32

Alien Collage Key

Action Comics #239, Adventure Comics #270, Aquaman #16, Batman #140, Blackhawk #177 (Alien Blackhawk), Detective Comics #251, Jimmy Olsen #32

Animal Transformations

Animal Transformations, Animal Collage Key, Action Comics #243, Lion Headed Superman, Action Comics #296, Ant Superman, Action Comics #303, Kryptonian Monster, Action Comics #284, Mermaid Supergirl, Adventure #330, Gorilla Braniac 5, Black Hawk #205, Dinosaur, Gorilla, Jimmy Olsen #66, Cat Headed Lois Lane, Lois Lane #13, Lois Lane #92, Lois Lane Centaur, Supergirl #8, Medusa Hair, Superman #139

Animal Collage Key

Action Comics #243 (Lion Headed Superman), Action Comics #296 (Ant Superman), Action Comics #303 (Kryptonian Monster), Adventure Comics #330 (Gorilla Braniac 5), Black Hawk #205 (Dinosaur, Gorilla), Jimmy Olsen #66 (Cat Headed Lois Lane), Lois Lane #13 (Cat Headed Lois Lane), Lois Lane #92 (Lois Lane Centaur), Supergirl #8 (Medusa Hair), Superman #165 (Lion Headed Superman).  Is a Sphinx an animal?  If so then in Superboy #103 there is one more animal transformation.

Superboy #103 Sphinx

Baby Transformations

Baby Transformations, Baby Collage Key, Action #284, Baby Superman, Adventure #317, Baby Legions of Superheroes, Batman #147, Baby Batman, Jimmy Olsen #66, Baby Perry White, Lois Lane #10, Baby Lois Lane, Adventure Comics #356

Baby Collage Key

Action Comics #284 (Baby Superman), Adventure Comics #317 (Baby Legions of Superheroes), Batman #147 (Baby Batman), Jimmy Olsen #66 (Baby Perry White), Lois Lane #10 (Baby Lois Lane)

Caveman Transformations

Caveman Transformations, Caveman Collage Key, Action #169, Clark Kent, Caveman, Blackhawk #205, Superman #171, Superman Caveman, World’s Finest #138, Caveman Batman, Caveman Robin, Caveman Superman, World’s Finest #151, Superman Caveman,

Caveman Collage Key

Action Comics #169 (Clark Kent, Caveman, Blackhawk #205, Superman #171 (Superman Caveman), World’s Finest #138 (Caveman Batman, Robin & Superman), World’s Finest #151 (Superman Caveman)

Devil Transformations

Devil Transformations, Devil Collage Key, Action #324, Devil Supergirl, Jimmy Olsen #68, Devil Superman, Jimmy Olsen #81

Devil Collage Key

Action Comics #324 (Devil Supergirl), Jimmy Olsen #68 (Devil Superman), Jimmy Olsen #81 (Devil Superman)

Doppelganger Transformations

Doppelganger Transformations, Doppelganger Collage Key, Action Comics #312, King Superman, Adventure #255, Action Comics #341, Wonder Woman #62, Triplet, Wonder Woman #90, Giant Double, Wonder Woman #98, Wonder Woman #102, Wonder Woman #111

Doppelganger Collage Key

Action Comics #312 (Clark Kent vs. King Superman), Adventure Comics #255, Wonder Woman #62 (Triplet), Wonder Woman #90 (Giant Double), Wonder Woman #98, Wonder Woman #102 (Triplet), Wonder Woman#111. Action Comics #341 doesn’t really belong in the collage since the Clark Kent is a Phantom Zone imposter but the decision to include was done for visual aesthetic reasons.

Element Transformation

Element Transformation, Element Transformations Collage Key, Blackhawk #182, Stone Blackhawks, Detective Comics #294, Calcium Batman, Detective Comics #302, Bronze Batman

Element Transformations Collage Key

Blackhawk #182 (Stone Blackhawks), Detective Comics #294 (Calcium Batman), Detective Comics #302 (Bronze Batman)

Fat Transformations

Fat Transformations, Fat Collage Key, Action Comics #383, Fat Supergirl, Adventure #298, Fat Lang Lang, Fat Superboy, Adventure #330, Fat Superboy, Adventure #345, Fat Matter Eater Lad, Flash #115, Fat Flash, Jimmy Olsen #49, Fat Jimmy Olsen, Lois Lane #5, Fat Lois Lane, Superman #221, Fat Superman

Fat Collage Key 

Action Comics #383 (Fat Supergirl), Adventure Comics #298 (Fat Lang Lang, Fat Superboy), Adventure Comics #330 (Fat Superboy), Adventure Comics #345 (Fat Matter Eater Lad), Flash #115 (Fat Flash), Jimmy Olsen #49 (Fat Jimmy Olsen), Lois Lane #5 (Fat Lois Lane), Superman #221 (Fat Superman)

Freak Transformations

Freak Transformations, Freak Collage Key , Action Comics #284, Two Headed Supergirl, Aquaman #21, Aquaman Giant Freak, Brave & Bold #68, Bat Hulk, Batman #162, Batman Creature, Challengers of the Unknown #50, Giant Green Freak, Jimmy Olsen #53, Giant Turtle Man, Jimmy Olsen #59, Fat Freak, Lois Lane #66, Lois Lane with Green Furry Feet, Rip Hunter Time Master #28, Giant Blue Fanged Creature

Freak Collage Key

Action Comics #284 (Two Headed Supergirl), Aquaman #21 (Aquaman Giant Freak), Brave & Bold #68 (Bat Hulk), Batman #162 (Batman Creature), Challengers of the Unknown #50 (Giant Green Freak), Jimmy Olsen #53 (Giant Turtle Man), Jimmy Olsen #59 (Fat Freak), Lois Lane #66 (Lois Lane with Green Furry Feet), Rip Hunter Time Master #28 (Giant Blue Fanged Creature)

Gender Transformations

Gender, cross-dressing, female Krypto, Kryptonia, Cross-Dressing, Superman #349, Superman/Batman #24, Jimmy Olsen #67, Jimmy Olsen #84, Jimmy Olsen #95, Jimmy Olsen #159, Bah, Hembeck! #4, Real Girl #6

Gender Collage Key

Superboy #101, Superman #349, Superman/Batman #24, Jimmy Olsen #67, Jimmy Olsen #84, Jimmy Olsen #95.  Incredibly there are some gender bending transformations is the normally stodgy pages of DC Comics.  Jimmy Olsen was a cross-dresser in Jimmy Olsen #67, 84, 95, 159; Bah, Hembeck! #4 and Real Girl #6.  Krypto became Kryptonia in Superboy #101.  Krypto was not just turned into a female but a female collie!  This happened due to red kryptonite.  I would say the human equivalent of a breed is race.  So if Superman ran into that particular piece of Red Kryptonite then he would become a woman and also change race.  This would be a very politically correct Superman.  Superman runs into female versions of himself in Superman #349 and Superman/Batman #24.  Actually the whole topic of Superwoman versus Supergirl is rather complex but so far Superman has never been transformed into Superwoman and that’s ok with me! However, in Supergirl (vol. 4) #79 (2003) Superman is exposed to Pink Kryptonite and then shows gay tendencies.  This was a spoof of the Red Kryptonite transformations of the silver age.

Supergirl (vol. 4) #79 (2003) Superman is exposed to Pink Kryptonite and then shows gay tendencies. This was a spoof of the Red Kryptonite transformations of the silver age.

Genie Transformations

Genie Transformations, Genie Collage Key, Detective Comics #322, Batman Genie, Jimmy Olsen #42, Jimmy Olsen Genie

Genie Collage Key

Detective Comics #322 (Batman Genie), Jimmy Olsen #42 (Jimmy Olsen Genie)

Giant Transformations

Giant Transformations, Giant Collage Key, Action #325, Giant Superboy, Aquaman #2, Giant Aqualad, Challengers of the Unknown #20, Giant Rocky, Challengers of the Unknown #36, Giant Rocky, Detective Comics #243, Giant Batman, House of Mystery #143, Giant Zook, Jimmy Olsen #77, Giant Jimmy Olsen, Superman #226, Giant Superman, Wonder Woman #136, Giant Wonder Woman

Giant Collage Key

Action Comics #325 (Giant Superboy), Aquaman #2 (Giant Aqualad), Challengers of the Unknown #20 (Giant Rocky), Challengers of the Unknown #36 (Giant Rocky), Detective Comics #243 (Giant Batman), House of Mystery #143 (Giant Zook), Jimmy Olsen #77 (Giant Jimmy Olsen), Superman #226 (Giant Superman), Wonder Woman #136 (Giant Wonder Woman)

Giant Head Transformations

Giant Head Transformations, Giant Head Collage Key, Action Comics #256, Ultra Superman, Adventure Comics #324, Evolvo Lad, Blackhawk #205, Giant Headed Blackhawk, Challengers of the Unknown #39, Giant Headed Rocky, Jimmy Olsen #22, Super-Brain of Jimmy Olsen, Lois Lane #27, Lois Lane’s Super-Brain, Superman #224, Super Baby, World’s Finest #151, Batman of 800,000 AD

Giant Head Collage Key

Action Comics #256 (Ultra Superman), Adventure Comics #324 (Evolvo Lad), Blackhawk #205 (Giant Headed Blackhawk), Challengers of the Unknown #39 (Giant Headed Rocky), Jimmy Olsen #22 (Super-Brain of Jimmy Olsen), Lois Lane #27 (Lois Lane’s Super-Brain), Superman #224 (Super Baby), World’s Finest #151 (Batman of 800,000 AD)

Actually the Super Baby in Superman #224 should not be included since this is not a transformed Superman but his mutant baby.  However, the inclusion makes sense artistically.

Half Body Transformations

Half Body Transformations, Half Body Collage Key, Action Comics #290, Flash #146, Green Lantern #29

Half Body Collage Key

Action Comics #290 (One half body super, one half body not super), Flash #146 (Flash top, Mirror Master bottom), Green Lantern #29 (One half body visible, One half body gone)

Handicap

Handicap Collage

Handicap Collage Key

Adventure Comics #259 (Blind Superboy), Adventure Comics #332 (Lighting Lad loses arm), Justice League of America, V1 #36

Jungle Transformations

Jungle Transformations, Jungle Collage Key, Batman #72, Jungle Batman, Jimmy Olsen #10, Jungle Jimmy Olsen, Jimmy Olsen #98, Jungle Jimmy, Lois Lane #11, Leopard Girl, Lois Lane #124, Jungle Queen

Jungle Collage Key

Batman #72 (Jungle Batman), Jimmy Olsen #10 (Jungle Jimmy Olsen), Jimmy Olsen #98 (Jungle Jimmy), Lois Lane #11 (Leopard Girl), Lois Lane #124 (Jungle Queen)

King Transformations

King Transformations, King Collage Key, Action Comics #244, Undersea King, Action Comics, King Superman, Jimmy Olsen #3, King Olsen, World’s Finest #111, Indian Superman King, Superboy #32, King Superboy, World’s Finest #165 (King Superman, King Batman, World’s Finest #240, King Superman

King Collage Key 

Action Comics #244 (Undersea King), Action Comics # (King Superman), Batman #125 (King Batman), Jimmy Olsen #3 (King Olsen), World’s Finest #111 (Indian Superman King)

Mermaid Transformations

Mermaid Transformations, Action Comics #284, Mermaid Supergirl, Lois Lane #12 , Mermaid Lois Lane, Superboy #194, Mermaid Superboy, Superman #139, Superman Merman

Mermaid Transformations Collage Key

Action Comics #284 (Mermaid Supergirl), Lois Lane #12 (Mermaid Lois Lane), Superboy #194, Mermaid Superboy, Superman #139 (Superman Merman),

Mirror Transformations

Mirror Transformations, Mirror Collage Key, Flash #124, Mirror-Flash, Justice League of America #7, Fun-House Mirror, World’s Finest #121, Mirror Batman

Mirror Collage Key

Flash #124 (Mirror-Flash), Justice League of America #7 (Fun-House Mirror), World’s Finest #121 (Mirror Batman)

Negative Being Transformations

Negative Transformations, Negative Collage Key, Detective #284, Negative Batman, Mystery in Space #78, World’s Finest #126, Negative Superman,

Negative Collage Key 

Detective Comics #284 (Negative Batman), Mystery in Space #78, World’s Finest #126 (Negative Superman)

The Negative Superman should not be included since this is not a transformed Superman but another Superman but the decision to include makes sense visually and most of all I needed two covers to justify a category.  Possibly, the Negative Superman should also be included in the Doppelganger category.  Creating taxonomy of transformations has not been easy!

Old Transformations

Old Transformations, Old Collage Key, Action Comics #251, Oldest Man in Metropolis, Action Comics #270, Superman’s Old Age, Action Comics #396, Crippled and Old Superman, Action Comics #397 (Part II), Batman #119, Rip Van Batman, Flash #157, Oldest Man Alive, Jimmy Olsen #, Old Jimmy Olsen, Lois Lane #, Lois Lane’s Old Age

Old Collage Key

 Action Comics #251 (Oldest Man in Metropolis), Action Comics #270 (Superman’s Old Age), Action Comics #396 (Crippled and Old Superman), Action Comics #397 (Part II), Batman #119 (Rip Van Batman), Flash #157 (Oldest Man Alive), Jimmy Olsen # (Old Jimmy Olsen), Lois Lane # (Lois Lane’s Old Age)

Phantom/Ghost/Invisible Transformations

Ghost Collage Key, Action Comics #595, Superman Ghost, Adventure Comics #357, The Ghost of Ferro Lad, Blackhawk #127, Blackhawk Ghost, Superman #186, Clark Kent Ghost, Superman Ghost, World’s Finest #130, Batman Ghost

Ghost Collage Key

Action Comics #595 (Superman Ghost), Adventure Comics #357 (The Ghost of Ferro Lad), Blackhawk #127 (The Ghost of Blackhawk), Superman #186 (Clark Kent Ghost vs. Superman Ghost), World’s Finest #130 (Batman Ghost)

Phantom Collage Key, Action Comics #131, Superman in 4th Dimension, Adventure Comics #283, The Phantom Superboy, Green Lantern #20, Phantom Green Lantern, Jimmy Olsen #12, Invisible Jimmy Olsen, Jimmy Olsen #40, Lois Lane #33, Phantom Lois Lane, Lois Lane #101, Invisible Lois Lane, Superboy #162, The Super-Phantom of Smallville

Phantom Collage Key

Action Comics #131(Superman in 4th Dimension), Adventure Comics #283 (The Phantom Superboy), Green Lantern #20 (Phantom Green Lantern), Jimmy Olsen #12 (Invisible Jimmy Olsen – title), Jimmy Olsen #40 (Invisible Jimmy Olsen – title), Lois Lane #33 (Phantom Lois Lane), Lois Lane #101 (Invisible Lois Lane), Superboy #162 (The Super-Phantom of Smallville)

In the Silver Age the words phantom and invisible are used in a sloppy manner. For example, Jimmy Olsen is twice turned into a phantom i.e. an insubstantial and invisible being but the title refers to an invisible Jimmy Olsen rather than a phantom Jimmy Olsen.  This is rather strange since the Legion of Superheroes of the Silver Age has a Phantom Girl versus an Invisible Kid and their powers are very well delineated.  You can see the Phantom Girl but not touch her.  You can touch the Invisible Kid but can’t see him.  Only by having both the powers of the Invisible Kid and the Phantom Girl could you have the powers of a ghost!

However, I would say the Phantom Zone precedent means that a being that is both invisible and insubstantial due to scientific means is a Phantom.  Silver Age science even established that the Phantom Girl could visit the Phantom Zone and say “hello” to Mon-El but the Invisible Kid could not enter the Phantom Zone.  Ghost Boy could have kept Mon-El company 24/7, if he had wanted to and that might have been a nice subplot I had never thought about at the time.  Ghosts as opposed to phantoms have supernatural origins and generally control of both their visibility and maybe their insubstantial nature.  Are you confused?  Well too bad because if you had grown up on Silver Age comic books then this would all make perfect sense.  Still the ghosts should be easy enough to label!

However, ghosts in the DC universe often turn out to be phantoms i.e. there is a scientific rather than supernatural explanation.  The Ferro Lad ghost turns out to be a controller created phantom but the real Ferro Lad ghost then causes the controller to die of fright.  Because of all this terminology confusion, the decision was made to make one category for phantom, ghost and invisible transformations.  The visual effect is the same and comic books are all about the visual effect.

Radioactive

Radioactive, Radioactive Collage Key, Detective #17, Radioactive Batman, Jimmy Olsen #17, Radioactive Jimmy Olsen, Radioactive Boy,

Radioactive Collage Key

Detective Comics #17 (Radioactive Batman), Jimmy Olsen #17 (Radioactive Jimmy Olsen)

Robot Transformations

Robot Transformations, Robot Collage Key, Action Comics #225, Robot Superman, Action Comics #, Clark Kent Metallo, Adventure Comics #237, Ma and Pa Kent Robots, Green Lantern #36, Green Lantern Robot, Jimmy Olsen #70, Robot Jimmy Olsen, Jimmy Olsen #130, The Computer-Man of Steel,

Robot Collage Key 

Action Comics #225 (Robot Superman), Action Comics # (Clark Kent Metallo), Adventure Comics #237 (Ma and Pa Kent Robots), Green Lantern #36 (Green Lantern Robot), Jimmy

Small Person Transformations

Small Transformations, Small Collage Key, Action Comics #283, Small Supergirl, Adventure Comics #330, Small Colossal Boy, Flash #109, Small Flash, Justice League of America #10, Finger Puppet Justice League, Justice League of America #18, Shrunken Justice League, Justice League of America #60, Bee Drone Justice League, Superman #245, Super-Mite, Detective Comics #127, Small Batman and Robin, Detective Comics #148

Small Collage Key 

Action Comics #283 (Small Supergirl), Adventure Comics #330 (Small Colossal Boy), Detective Comics #127 (Small Batman and Robin), Detective Comics #148 (Small Batman and Robin), Flash #109 (Small Flash), Justice League of America #10 (Finger Puppet Justice League), Justice League of America #18 (Shrunken Justice League), Justice League of America #60 (Bee Drone Justice League), Superman #245 (Super-Mite)

Tree Being Transformation

Trees, Trees Collage Key, Justice League of America #9, Justice League Trees, Lois Lane #112, Superman Tree

Trees Collage Key

Justice League of America #9 (Justice League Trees), Lois Lane #112 (Superman Tree)

Underwater Being Transformations

Underwater Transformations, Underwater Collage Key, Batman #118, Merman Batman, Superman #244, Superman’s Undersea Kingdom

Underwater Collage Key

Batman #118 (Merman Batman), Superman #244 (Superman’s Undersea Kingdom)

Werewolf Transformations

Werewolf Transformations, Werewolf Collage Key, Action #283, Linda Danver’s Werewolf, Jimmy Olsen #44, Jimmy Olsen Wolf-Man, Superboy #116, Superboy #180

Werewolf Collage Key

Action Comics #283 (Linda Danver’s Werewolf), Jimmy Olsen #44 (Jimmy Olsen Wolf-Man), Superboy #116, Superboy #180

CONCLUSION

Transformations at DC comics during the Silver Age showed definite patterns.  Certain heroes were transformed more than others.  Batman and Superman suffered a lot of transformations but this could be function of the fact that both Batman and Superman were in multiple titles that had extremely long runs.  Transformations were popular and the transformation of the top superheroes at DC during the Silver Age made marketing sense.  Lois Lane did not have as many transformations as Jimmy Olsen but her 12 transformations seems like a high number given that she only starred in one title.  The marketing logic might have been to use popular transformations that worked with one of the Superman family members with the other Superman family members that had a comic book title and hope for similar success.  Wonder Woman suffered the doppelganger transformation five times and this is an extreme case of the same transformation being used again and again with the same character almost obsessively.  Wonder Woman in the Silver Age was a strange little title and someday I am going to write an in depth analysis of what was done to Wonder Woman during this time period.  Transformations at DC during the Silver Age are almost always one-shot affairs.  The exception is in the Legion of Superheroes were Lightning Lad lost his arm for several issues and Matter Lad was turned into a fat boy for several issues.

Marvel handles transformations in an entirely different manner.  Transformation is an ongoing plot device in the case of the Hulk, Iron Man’s many armors, the Thing, the six-armed Spider-Man and X-23’s vampirism.  Even the relatively short term transformation of Captain America into a werewolf lasts more than one issue.  I will eventually write another DC vs. Marvel article comparing the role of transformation in the comic books of the two companies.

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DC Heroes Transformed! Part I Transformations Organized by Hero

INTRODUCTION

Many comic fans know that Jimmy Olsen suffered any number of transformations during the Silver Age at DC Comics.  This article will explore the transformations of the Silver Age first by hero and then by condition.  A transformation for the purposes of this article is limited to an outwardly physical transformation rather than an internal psychological transformation.

Transformations involving costumes are more problematic.  There are so many one-shot novelty costume changes among Silver Age heroes that this should really be another article.  A decision was made to only include categories of costume change that occurred more than once rather than one-shot costumes including: caveman wear, jungle wear, and kingly wear.

The hero titles analyzed include Aquaman, Batman, Challengers of the Unknown, the Flash, Green Lantern, Justice League of America, Lois Lane, Superboy, Supergirl, Superman, and Wonder Woman.  Jimmy Olsen is excluded as a character but not from the types section since I have dealt with Jimmy Olsen’s transformations in another article.

The transformations were also broken down by type and this will be dealt with in part II, the follow up post.  The types of transformations that occurred more than one time and generally with more than one hero include alien transformation, animal transformation, baby transformation, caveman transformation, devil transformation, doppelganger transformation, fat transformation, freak transformation, genie transformation, giant transformation, giant head transformation, half body transformation, jungle person transformation, king transformation, mirror transformation, negative being transformation, old, phantom/ghost/invisible transformation, radioactive transformation, robot transformation, small person transformation, tree being transformation, underwater being transformation, and werewolf  transformation.

TRANSFORMATIONS ORGANIZED BY HERO

Aquaman Transformations

Aquaman Transformations, Aquaman Collage Key, Aquaman # 2, Giant Aquaboy, Aquaman # 16, Alien Aquaman, Aquaman # 21, Giant Aquaman

Aquaman Collage Key

Aquaman # 2 (Giant Aquaboy), Aquaman # 16 (Alien Aquaman), Aquaman # 21 (Giant Aquaman)

Batman Transformations

Batman Collage Key

Batman Transformations, Batman #72, Jungle Batman, Batman #118, Underwater Batman, Batman #119, Old Batman, Batman #140, Batman and Robin Aliens, Batman #147, Batman Baby, Batman #162, Batman Freak,

Batman #72 (Jungle Batman), Batman #118 (Underwater Batman), Batman #119 (Old Batman), Batman #125 (King Batman), Batman #134 (Two-Dimensional Batman and Robin), Batman #140 (Batman and Robin Aliens), Batman #147 (Batman Baby), Batman #162 (Batman Freak),

Brave & Bold Batman Transformations

Batman in Brave & Bold Collage Key

Brave & Bold #68 (Batman Hulk), Brave and Bold #99 (Batman Hyde Face),

Detective #243, Giant Batman, Detective Comics #251, Alien Batman, Detective Comics #268, Glowing Batman, Detective Comics #275, Zebra Batman, Detective Comics #284, Negative Batman, Detective Comics #294, Calcium Batman, Detective Comics #301, Radioactive Batman, Detective Comics #302, Bronze Batman

Detective Comics 1 Collage Key

Detective Comics #127 (Small Batman and Robin), Detective Comics #148 (Small Batman and Robin), Detective #243 (Giant Batman), Detective Comics #251 (Alien Batman), Detective Comics #268 (Glowing Batman), Detective Comics #275 (Zebra Batman), Detective Comics #284 (Negative Batman), Detective Comics #294 (Calcium Batman), Detective Comics #301 (Radioactive Batman), Detective Comics #302 (Bronze Batman)

Detective Comics #316, Energy Batman, Detective Comics #322, Genie Batman

Detective Comics 2 Collage Key

Detective Comics #316 (Energy Batman), Detective Comics #322 (Genie Batman)

World’s Finest #121, Mirror, World’s Finest # 128, Freak, World’s Finest #138, Batman Caveman, World’s Finest #139, Batman Phantom, World’s Finest #151, Batman Big Brain,

Batman in World’s Finest Collage Key

World’s Finest #121 (Mirror), World’s Finest # 128 (Freak), World’s Finest #138 (Batman Caveman), World’s Finest #139 (Batman Phantom), World’s Finest #151 (Batman Big Brain)

Challengers of the Unknown Transformations

Challengers of the Unknown Transformations, Challengers of the Unknown Collage Key, Challengers of the Unknown #20, Giant, Challengers of the Unknown #36, Giant, Challengers of the Unknown #39, Big Brain, Challengers of the Unknown #50, Freak,

Challengers of the Unknown Collage Key

Challengers of the Unknown #20 (Giant), Challengers of the Unknown #36 (Giant), Challengers of the Unknown #39 (Big Brain), Challengers of the Unknown #50 (Freak)

Flash Transformations

Flash Transformations, Flash Collage Key, Flash #109, Small Flash, Flash #115, Fat Flash, Flash #126, Mirror Flash, Flash #133, Puppet Flash, Flash #146, Half Body Flash, Flash #157, Old Flash

Flash Collage Key

Flash #109 (Small Flash), Flash #115 (Fat Flash), Flash #126 (Mirror Flash), Flash #133 (Puppet Flash), Flash #146 (Half Body Flash), Flash #157 (Old Flash)

Green Lantern Transformations

Green Lantern Transformations, Green Lantern Collage Key, Green Lantern #20, Phantom Green Lantern, Green Lantern #29, Half Body Green Lantern, Green Lantern #36, Robot Green Lantern

Green Lantern Collage Key

Green Lantern #20 (Phantom Green Lantern), Green Lantern #29 (Half Body Green Lantern), Green Lantern #36 (Robot Green Lantern)

Justice League of America Transformations

Justice League of America Collage Key

Justice League of America #7 (Mirror), Justice League of America #9 (Trees), Justice League of America #10 (Finger Puppets), Justice League of America #18 (Small), Justice League of America #60 (Drones)

Lois Lane Transformations

Lois Lane Transformations, Lois Lane Collage Key, Jimmy Olsen #66, Cat Headed Lois Lane, Lois Lane #5, Fat Lois Lane, Lois Lane #10, Baby Lois Lane, Lois Lane #11, Jungle Lois Lane, Lois Lane #13, Cat Headed Lois Lane, Lois Lane #27, Giant Head, Lois Lane #33, Phantom Lois Lane, Lois Lane #40, Old Lois Lane, Lois Lane #66, Freak, Lois Lane #92, Centaur Lois Lane, Lois Lane #101, Invisible Lois Lane, Lois Lane #106, Black Lois Lane, Lois Lane #107, Snow, Lois Lane #124, Jungle Lois Lane

Lois Lane Collage Key

Jimmy Olsen #66 (Cat Headed Lois Lane), Lois Lane #5 (Fat Lois Lane), Lois Lane #10 (Baby Lois Lane), Lois Lane #11 (Jungle Lois Lane), Lois Lane #13 (Cat Headed Lois Lane), Lois Lane #12 (Mermaid Lois Lane), Lois Lane #27 (Giant Head), Lois Lane #33 (Phantom Lois Lane), Lois Lane #40 (Old Lois Lane), Lois Lane #66 (Freak), Lois Lane #92 (Centaur Lois Lane), Lois Lane #101 (Invisible Lois Lane), Lois Lane #106 (Black Lois Lane), Lois Lane #107 (Snow), Lois Lane #124 (Jungle Lois Lane)

Lois Lane is given a cat head not once but twice!  I guess this means that Lois was considered catty in the Silver Age.  At least the cat heads were different colors and the art wasn’t just recycled even if the concept was recycled.

Ma and Pa Kent Transformations

Ma and Pa Kent Transformations, Adventure Comics #237, Robot Ma & Pa Kent, Adventure Comics #270, Ma and Pa Kent Aliens

Ma and Pa Kent Collage Key

Adventure Comics #237 (Robot Ma & Pa Kent), Adventure Comics #270 (Ma and Pa Kent Aliens)

Superboy Transformations

Superboy, Superboy #32, King Superboy, Superboy #50, Superboy #116, Werewolf Superboy, Superboy #142, Superboy #162, Phantom Superboy, Superboy #178, Superboy #180, Superboy #184, Manbat Superboy, Superboy #194, Mermaid Superboy

Superboy Collage Key

Superboy #32 (King Superboy), Superboy #50 (Giant Superboy), Superboy #116 (Werewolf Superboy), Superboy #142 (Giant Ape Superboy), Superboy #162 (Phantom Superboy), Superboy #178 (Manbat Superboy), Superboy #180 (Werewolf Superboy), Superboy #194(Mermaid Superboy),

Superboy Transformations, Superboy Collage Key, Adventure Comics #255, Doppelganger, Adventure Comics #259, Blind Superboy, Adventure Comics #270, Alien Ma and Pa Kent, Adventure #283, Phantom Superboy, Adventure Comics #298, Fat Superboy, Fat Lana Lang, Adventure Comics # 308, Adventure Comics #315, Giant Superboy, Adventure Comics #330, Fat Superboy

Superboy in Adventure Comics Collage Key

Adventure Comics #255 (Doppelganger), Adventure Comics #259 (Blind Superboy), Adventure Comics #270 (Alien Ma and Pa Kent), Adventure Comics #283 (Phantom Superboy), Adventure Comics #298 (Fat Superboy, Fat Lana Lang), Adventure Comics # 308, Adventure Comics #315 (Giant Superboy), Adventure Comics #330 (Fat Superboy)

Supergirl Transformations

Supergirl Transformations, Supergirl Collage Key, Action Comics #267, Adult Supergirl, Action Comics #283, Fat Supergirl, Werewolf Supergirl, Small Supergirl, Action Comics #284, Two headed Supergirl, Mermaid Supergirl, Action Comics #324, Devil Supergirl, Supergirl #8, Medusa Haired Supergirl, Medusa Hair Supergirl, Medusa Hair

Supergirl Collage Key

Action Comics #267(Adult Supergirl), Action Comics #283 (Fat Supergirl, Werewolf Supergirl, Small Supergirl), Action Comics #284 (Two headed Supergirl, Mermaid Supergirl), Action Comics #324 (Devil Supergirl), Supergirl #8 (Medusa Hair)

Superman Transformations

Superman Transformations, Action Comics, Action Comics Collage Key, Action Comics #131, Phantom Superman, Action Comics #225, Robot Superman, Action Comics #239, Alien Superman, Action Comics #243, Lion Headed Superman, Action Comics #244, Underwater Superman, Action Comics #245, Small, Action Comics #251, Old, Action Comics #256, Giant Brain, Action Comics #270, Old, Action Comics #275, Third Eye

Action Comics 1 Collage Key

Action Comics #131 (Phantom Superman), Action Comics #225 (Robot Superman), Action Comics #239 (Alien Superman), Action Comics #243 (Lion Headed Superman), Action Comics #244 (Underwater Superman), Action Comics #245 (Small), Action Comics #251 (Old), Action Comics #256 (Giant Brain), Action Comics #270 (Old), Action Comics #275 (Third Eye)

Action Comics 2 Collage Key

Action Comics #284, Super Baby, Action Comics #290, Half Body, Action Comics #296, Ant Superman, Action Comics #303, Freak, Action Comics #312, King, Doppelganger, Action Comics #317, Colored Faces, Action Comics #325, Giant Superman, Action Comics #396, Action Comics #397, Action Comics #595, Phantom

Action Comics #284 (Super Baby), Action Comics #290 (Half Body), Action Comics #296 (Ant Superman), Action Comics #303 (Freak), Action Comics #312 (King and Doppelganger), Action Comics #317 (Colored Faces), Action Comics #325 (Giant Superman), Action Comics #396 (Old), Action Comics #397 (Old), Action Comics #595 (Phantom)

Superman Title

Superman Title, Superman Title Collage Key, Superman #139, Merman, Superman #139, Long Hair, Long Nails, Superman #165, Lion Headed Superman, Superman #171, Superman Caveman, Superman #186, Phantom Superman, Superman #221, Fat Superman, Superman #226, Giant Superman, Superman #263, Molten Superman,

Superman Title Collage Key

Superman #139 (Merman), Superman #139 (Long Hair, Long Nails), Superman #165 (Lion Headed Superman), Superman #171 (Superman Caveman), Superman #186 (Phantom Superman), Superman #221 (Fat Superman), Superman #226 (Giant Superman), Superman #263 (Molten Superman)

Various Titles

Various Titles, Various Titles Collage Key, Jimmy Olsen #81, Devil Superman, Jimmy Olsen #130, Robot Superman, Lois Lane #112, Tree Superman, World’s Finest #105, Alien Superman, World’s Finest #126, King Superman, World’s Finest #138, Caveman Superman, World’s Finest #151, Caveman Superman, World’s Finest #165,King Batman, World’s Finest #240, King Superman

Various Titles Collage Key

Jimmy Olsen #81 (Devil Superman), Jimmy Olsen #130 (Robot Superman), Lois Lane #112 (Tree Superman), World’s Finest #105 (Alien Superman), World’s Finest #138 (Caveman Superman), World’s Finest#151 (Caveman Superman), World’s Finest #165 (King Superman), World’s Finest #240 (King Superman)

Wonder Woman Transformations

Wonder Woman Transformations, Wonder Woman Collage Key, Wonder Woman #62, Doppelganger, Triplets, Wonder Woman #90, Giant Doppelganger, Wonder Woman #98, Doppelganger, Wonder Woman #102, Wonder Woman #111, Wonder Woman #136, Giant Wonder Woman

Wonder Woman Collage Key

Wonder Woman #62 (Doppelganger, Triplets), Wonder Woman #90 (Giant Doppelganger), Wonder Woman #98 (Doppelganger), Wonder Woman #102 (Doppelganger, triplets again!), Wonder Woman #111 (Doppelganger), Wonder Woman #136 (Giant Wonder Woman)

The doppelganger theme dominates the transformation of Wonder Woman that is unique among the heroes of the Silver Age.  I did not even include issues in which Wonder Woman is not transformed but fights some sort of robot double.  Wonder Woman is also constantly reduced not via transformation but by fighting giant opponents.  Wonder Woman is then treated as a toy or trinket, or an object by the giant opponent.   Reduction is used to create the objectification of Wonder Woman.  In Wonder Woman #122, Wonder Woman fights a giant robotic double and in this issue the reader sees the juxtaposition of the objectification themes of reduction and duplication.  The giant doppelganger is clearly not a transformation since this double is clearly a robot.  I do include the similar plot of Wonder Woman #90 since the giant double challenges the identity of Wonder Woman and is therefore transformational.

Superboy (Adventure Comics #255) and later Superman (Action #312) face a doppelganger dilemma when red kryptonite splits him into two selves. In both cases, Superman faces a Clark Kent doppelganger.  The Superman doppelganger plots also take a very different direction since there are not two Supermans but rather the two sides of Superman are split physically and must see reunification to create a whole Superman identity.  In the case of Wonder Woman the doppelganger is not a side of Wonder Woman but a duplicate that challenges Wonder Woman’s unique identity.

The objectification of women as sex objects is recurrent feminist theme.  One of the characteristics of an object as opposed to a subject in existential terms is reproducibility.  An object is reproducible. A person is unique and not reproducible.  Even in a future of clones presumably we have a unique soul even if a physical duplicate could be made. The industrial reproduction of feminine beauty and images is a hallmark of 20th century mass media and consumer culture.  Paradoxically women have greater opportunities and education at the precise moment when technological objectification reaches and apex causing a unique post modern historical feminine anxiety.  The constant use of doppelganger themes in the Silver Age Wonder Woman title may be an unconscious response to this feminine anxiety and a naïve form of pop culture driven existential exploration.

Next:

DC Heroes Transformed! Part II Transformations Organized by Type

My other website at:

Fox Superpower List

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WereVerse Universe Baby!

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DC Superheroes versus Marvel Superheroes Chess Set Proposal

I have already proposed a revision of the Superman versus Batman chess set.  I have proposed a DC superheroes versus DC supervillains set.  Below is my third proposal:

 

DC

King – Superman

Queen – Wonder Woman

Bishop – Green Lantern

Knight – Batman

Rook – Flash

Pawn – Checkmate Field Agent

 

Marvel

King – Thor

Queen – Storm

Bishop – Iron Man

Knight – Captain America

Rook – Hulk

Pawn – S.H.I.E.L.D. Field Agent

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WereVerse Universe Baby!

WereVerse Universe at Google Drive Link