Tag Archives: art

I was turned into an alien!

1 2 3 4 5 6

I would like to thank Derek Czap for the art work!

Hugh Fox III - Alien Glow Animated

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American Comic Books versus Japanese Manga

American Comic Books versus Japanese Manga Table Resized

Check out my other website at:

Fox Superpower List

Document at:

Hugh Fox III - Army

 

 

Ukiyo-e Noren Curtains at Daiso

If you are person with a small budget that wants to add a little practical art to their living space then may I suggest buying some Ukiyo-e Noren curtains at Daiso.  I use a lot of utility shelving (Turn
Utility Shelving Into a Great Clothes Rack
) as a space multiplier for my
small place in Thailand but this shelving gives my place a warehouse feel that I
don’t like.  I flirted with various solutions but ran into these Daiso curtains.  The Daiso curtains cover the shelving, keep out the dust and add an artistic touch to my place.  The curtains are 83 cm (32.6 inches) by 149 cm (58.6 inches).

I spent about 100 Hong Kong dollars at The One in Hong Kong at the Max Valu in the LG 1 floor which is kind of a 12 HK dollar store that sells mostly Daiso goods.  100 HK dollars is 12.88 USD!  So for around thirty bucks I radically changed the look of my apartment.  Below is “A Fine Breezy Day” by Katsushika Hokusai and is no. 4 in the Daiso product line and is one of the Thirty-six Views of Mount Fuji collection.

1Daiso Noren Curtain A Fine Breezy Day by Katsushika Hokusai

The next one is “Woman Playing a Glass Toy” by Kitawagawa Utamaro and is no. 3 in the Daiso product line.  The Japanese name is Bidoro o Fuku Musume and literally means a Woman Blowing a Vidro.  The vidro is a glass toy that makes a sound when you breathe through it.

2Daiso Noren Curtain Woman Playing a Glass Toy Kitawagawa Utamaro

The last one is “The Great Wave of Kanagawa” by Katsushika Hokusai and is no. 5 in the Daiso product line.

3Daiso Noren Curtain The Great Wave of Kanagawa Katsushika Hokusai

Below is the before picture of my apartment shelving.

4Before Ukiyo-e Noren CurtainsBelow is the after picture of my apartment shelving.

5After Ukiyo-e Noren Curtains

And the same set up after tweaking:

Ukiyo-e Noren Curtains at Daiso 6

 And the same shelving system but used as a coat rack below and of course you don’t want to enclose wet stuff with curtains.  As you can see hats and sundries can go on the top.  You can put footwear in the bottom shelves.

Ukiyo-e Noren Curtains at Daiso 7

 

 

Hugh Fox III - Blues

 

 

Reality is for People Who Can’t Handle TV!

Hugh Fox III in the TV

Does the TV watch us when we watch TV?

Blingee Photo Special Effect Site

This was done at Blingee.com!

Cosmic Crystal Skull

I created this cyberspace version of the crystal skull in honor of 11/11/11.  Below is some more information about the 11/11/11 Crystal skull connection and info about the crystal skulls period.

From:

http://crystalskullsevent.com/

 

THE LEGEND OF THE 13 SACRED CRYSTAL SKULLS prophesizes that at a time of great crisis for all humanity and planet earth, the sacred crystal
skulls will come together to reveal information vital to the very survival of
the human race.

The Time is Now!

At the 11-11-11 Crystal Skulls World Mysteries Gateway Event, thirteen ancient crystal skulls will be present with many newer crystal skulls. There will be a Mystery Skull unveiled at the event.

The Event will cover two days of speakers including ancient crystal
skull guardians with their skulls, Mayan Elders and Crystal Skull Researchers
plus prayers, ceremony, music and celebration. On November 13, you will have an opportunity to have breakout sessions and private sessions with individual
crystal skulls that you resonate with.

The ancient crystal skulls contain information about the past history of our planet and the future of mankind. Synergistically they
create a vortex that activates human consciousness revealing greater
perceptions of reality. They are the manifestation of spirit in form now
helping to shift the magnetic frequency of the earth.

Along with our regular program speakers and presenters, Oracle Stone Productions is humbly honored to present and welcome 13 members of the Maya Itza Council of Priests and Elders from Yucatan, Mexico and other spiritual leaders who will be joining us at this 11.11.11 Crystal Skulls World Mysteries Gateway Event.

This year’s 11-11-11 Gateway in Los Angeles Event will be setting the foundations for the Maya Itza New Age starting in 2012.

This is the only place on earth this year where so many ancient
crystal skulls and Mayan Elders will come together. If you see yourself as a
part of the consciousness shift taking place on this planet, it is time to be
at this event.

From: www.thecrystalskulls.info

 

The Mystery of the Crystal Skulls

by

Chris
Morton & Ceri Louise Thomas

An old Native American legend describes the existence of thirteen life-size human skulls made of rock crystal, that were said to speak or sing. According to the legend, these crystal skulls contain answers to some of the great mysteries of life and the universe. The legend also says that one, day at a time of great need, at a time of great crisis for humanity, all of these crystal skulls will be rediscovered and brought back together again to reveal their knowledge and information vital to the very survival of the human race.

When we first heard this legend we were on holiday in Central America, and we had no idea that we were about to spend the next three years of our lives searching for the truth about these most strange, enigmatic and beautiful objects. We were first told the legend while visiting the ancient Mayan ruins of Tikal in Guatemala. At the time, we thought the whole thing was merely a colourful story and that there was nothing more to it than that. Indeed, we thought little more about it until a chance encounter, whilst visiting the neighbouring country of Belize, where we found out that a real crystal skull had actually been discovered.

This crystal skull was discovered in ancient Mayan ruins which lie deep in the rainforest, in the 1920’s. The British adventurer/explorer, Frederick Mitchell-Hedges and his party were looking for evidence of the lost civilisation of Atlantis. One day, trekking through the jungle they came across some mounds of stone overgrown with moss and foliage and suffocated by roots and vines. They stumbled upon the lost city of Lubaantun, which in Mayan means the city of the fallen stones.

During the excavation of the site, Mitchell-Hedges’ adopted daughter Anna says she discovered the crystal skull buried beneath an altar in one of the ruined temple-pyramids. The Mayan helpers on the dig are said to have gone wild with joy on the emergence of the skull. They placed it on an altar and performed ceremonies and dances around it; ‘It was as if an ancient and powerful force had returned to the lives of those present’. The skull in question was a magnificent and perfect specimen made from almost totally transparent quartz crystal. It was the size of a real human skull and was highly anatomically accurate, coming complete with a separate lower jaw-bone.

As film-makers we were fascinated, a strange and mysterious artefact discovered in the ruins of an ancient Mayan temple sounded as if it would make an interesting documentary so we set about finding out
more.

We were surprised to discover that the young woman who found the crystal skull back in the 1920’s, Anna Mitchell-Hedges, was still alive and well and still in possession of the crystal skull. She was almost 90 years old and had kept the skull with her throughout her long life. Anna was convinced that the crystal skull had magical healing and communicative powers and that it protected her and kept her in good health all her life. Others who had spent time with the skull also had a number of strange, paranormal experiences to report – that in its presence they had heard the soft sound of human voices chanting, or had seen images of the past or the future deep within its crystalline structure.

Since Anna Mitchell-Hedges first discovered her crystal skull, a number of other crystal skulls have also come to light – just as prophesied in the ancient legend. Our investigation led us to three large crystal skulls kept in some of the world’s leading museums and a further three belonging to private individuals.

All of the crystal skulls are of mysterious origin and all are surrounded by tales of strange telepathic or healing powers. For the most part, the owners believe their skulls to be Central American in origin. They are thought to have originated with one or other ancient civilisation of Central America, either the Aztecs, the Maya or a mysterious pre-Mayan civilisation which some believe to have been the Atlanteans of legend.

SCIENTIFIC PERSPECTIVES

Initially, we were keen to explore a more rational, scientific explanation for the crystal skulls and became interested in the work of leading Mesoamerican specialist, Dr Jane Walsh of the Smithsonian Institution in Washington, which had recently come into possession of its own crystal skull.

Dr Walsh like many archaeologists was sceptical about the many claims that had been made about the crystal skulls, including that they were ancient. She was developing her own theories about the origin of the crystal skulls and believed that they might in fact be modern fakes or forgeries, and not ancient artefacts at all. She put forward the idea that the crystal skulls might have been made during the 19th Century to satisfy a growing demand for ancient antiquities. But she had no proof so she could not be sure.

Dr Walsh was interested in subjecting the crystal skulls to a number of
scientific tests in the hope of finding evidence of where they had come from
and who exactly had made them. The tests would involve all the known crystal
skulls it was possible to gather together and that were thought to be ancient.
One of the difficulties in establishing when the crystal skulls were made is
that the material of crystal gives no clues as to when the skulls might have
been made.

The crystal skulls cannot be carbon-dated, as crystal contains no carbon. The only way to ascertain when the skulls might have been made would be to examine them under intense magnification and look for signs of any tool marks left behind from when the skull was made. Hand tool markings would suggest the skulls were genuinely ancient and probably native, whereas any machine-tool markings would suggest that the skulls were made using modern European technology, and so dated from some time after Columbus first
landed in America.

Talking to Anna Mitchell-Hedges about the tests that Dr Walsh was planning revealed that the Mitchell-Hedges skull had already been subjected to scientific tests back in the 1970’s. Anna had loaned her crystal skull to computer manufacturers Hewlett-Packard in the hope that they might be able to tell her more about it. As leading manufacturers of computers and other electronic equipment, Hewlett-Packard are experts in the use and properties of
crystal.

What the team of scientists at Hewlett-Packard found was that the crystal skull was made of exactly the same type of quartz crystal that is now found at the heart of the telecommunications industry; piezo electric silicon dioxide – which is renowned above all other materials for its information storage capacity. And it is from this material that microprocessors are made – the very circuitry on which our whole modern civilisation now depends.

Although crystal cannot be carbon-dated the scientists at Hewlett-Packard were able to make one other interesting discovery. Using a series of polarised light tests they were able to establish that the upper cranium and the separate lower jaw of the skull had at one time been part of the same solid block of rock crystal. They were astonished by this, as quartz crystal is only slightly softer than diamond, and is also very brittle, making it an incredibly difficult material to carve.

Rock crystal is so brittle, and because of its grain structure, it is likely to shatter when carved using machine tools. In fact, Hewlett-Packard concluded that it would actually have been impossible to carve such a delicate and exquisite object particularly such as the lower jaw from a single piece of crystal , using modern diamond-tipped electrically-powered machine tools, without it shattering into pieces. They therefore concluded that the crystal skull must have been made by hand.

But this was even more incredible, because the scientists also calculated that to slowly abrade the crystal skull by hand would have taken several human generations. As the Hewlett-Packard report put it ‘an estimated 300 man years of effort’ would have been involved. The scientists were baffled, so they decided to examine the skull under a microscope to look for signs of what tools had had been used to make the crystal skull. To their complete amazement they could find no sign of either modern machine- tools or ancient hand-held tools having been used to make the crystal skull. In fact, they could find no evidence of any kind of tool markings whatsoever, leading one member of the team to comment ‘this skull shouldn’t even exist’, and leading several observers since to speculate that the crystal skulls might not be of any kind of human origin at all.

Scientific investigation did not end with the Mitchell-Hedges skull. In 1996,
The British Museum decided to co-operate with Dr Jane Walsh of the Smithsonian Institution in allowing their own crystal skull to be tested alongside all the other crystal skulls it was possible to gather together at the British Museum Research Laboratory. But just as the Mitchell-Hedges crystal skull had
challenged the attempts of scientists at Hewlett-Packard, we were soon to find
the other crystal skulls challenging the analysis of scientists at the British
Museum. For although scientific tests were carried out on six of the skulls by
the British Museum in April 1996; for whatever reason, the museum were not
prepared to go public with the results.

TRIBAL PERSPECTIVES

In our quest to understand the mystery of the crystal skulls, we spoke to many indigenous elders from North and Central America. We met with spiritual leaders of the Navajo, the Pueblo, the Seneca, the Cherokee and the Maya. From these people we learned about the sacred significance of the crystal skulls. According to these spiritual teachers the crystal skulls will never be truly understood simply through examining them under a microscope. Indeed, one of the purposes of the crystal skulls is to pose a fundamental challenge to our whole rational, scientific way of looking at the world.

Native American author Jamie Sams, for example, explained that crystal skulls are a symbol of the possibilities that exist in our own human consciousness. Crystal skulls invite us to experience other states of awareness. This may consist of seeing images within the crystal skulls or it may be a question of experiencing a trance-like state of awareness that also happens in the presence of the skulls. For those who have been trained as shamans, the crystal skulls provide a doorway into other dimensions. Many native people believe that the skulls form an access point into the other multiple levels of reality hat exist in parallel to our own everyday waking world. They believe that part of our soul, or our consciousness, can literally travel into these other dimensions through the crystal skulls. But the crystal skulls are not just esoteric devices for initiated shamans to travel to other dimensions, they can also help each of us to access other levels of our own consciousness, which many of us today have forgotten how to use.

Certainly through our exploration of the mystery of the crystal skulls we came
to see the short-comings of our culture’s predominantly rational-scientific
approach to the problems we face. We became acutely aware of the narrow
parameters this approach imposes and its total inability to explain the great
multitude and totality of phenomena that surround us at all times. We became
very conscious that the scientific approach is only one way of seeing the
world. The problem is that it is a method of seeing things which has encouraged
us to reduce rather than expand the ways in which we can make sense of the
world around us.

We have tended to honour only scientific truths when
in fact there are many other truths, many other systems of belief and different
ways of understanding the world and the significance of the crystal skulls.
What the indigenous people we spoke to showed us is that the crystal skulls can
provide us with a world view of immeasurable richness and beauty.

We heard from Mayan Day-Keeper Hunbatz Men that crystal skulls had once been used in many of the sacred sites around the world. Several had been placed in the temples of the ancient Maya, and one he believed had once been kept at Stonehenge. According to indigenous elders such as Hunbatz Men the time has now come for the sacred crystal skulls to be returned once again to the sacred sites where they were first kept so as to ‘re-awaken those sites so that the right energies can go out into the world’. Hunbatz believes that, as prophesied by the ancient Mayan calendar, with the help of the crystal skulls, ‘indigenous people will now take the lead in showing the way for the benefit of all of humanity’!

In the deserts of New Mexcio, Navajo elder Leon Secatero explained that crystal skulls can help awaken us to our connections with all other things. They show us ‘the aliveness of all things: they are magical objects; they are the image of death, yet they contain the breath of life, the same breath of life that we have and that we share with all other things’. According to Leon, ‘The crystal skulls emit a sound – the sound of creation. This is the same sound the Earth made when it came into being, the same noise that happens at conception and the noise that a leaf makes when it unfurls in the spring. In this way the crystal skulls show us that we are connected with all of life and with the great mystery and beauty of creation’.

The philosophy of the Navajo, the Maya, and other indigenous people who hold the crystal skulls as sacred objects left behind by the very first people to help us now in our time of greatest need, helps us to see the fundamental aliveness in everything around us, both living and dead. The native elders believe that this waking up to our connection with all other things is absolutely vital for our own future survival on this planet – and this is one of the first of the many incredible lessons that the crystal skulls are now here to teach us.

First published in Sacred Hoop Magazine Issue 21, Summer 1998

‘The Mystery of the Crystal Skulls’ by
Chris Morton and Ceri Louise Thomas is published by Bear & Company/Inner
Traditions in the US and Canada, and in the UK by Element/Harper Collins.

Zen Satori

No small!

No big!

No mind!